We would like to begin
by acknowledging that the land
on which we gather is the unceded territory
of the Yuchi and Cherokee People.
We offer our gratitude for the land itself,
and the Indigenous people that
stewarded it for generations.River & Rail Theatre Co.
Personages:
DR. GIVINGS – A man in his forties, a specialist in gynecological and hysterical disorders.
CATHERINE GIVINGS – His wife, a woman in her late twenties.
SABRINA DALDRY – His patient, a woman in her early thirties.
ANNIE – A woman in her late thirties, Dr. Giving’s midwife assistant.
LEO IRVING – Dr. Giving’s other patient, an Englishman in his twenties or thirties.
ELIZABETH – an African-American woman in her early thirties. A wet-nurse by default.
MR. DALDRY – Sabrina Daldry’s husband, a man in his forties or fifties.
Place:
A prosperous spa town outside of New York City, perhaps Saratoga Springs.
Time:
The dawn of the age of electricity; and after the Civil War; circa 1880s.
IN THE NEXT ROOM or the vibrator play will be performed with a 10 minute intermission. The show runs approximately 125 minutes.
**Content Warning: Please be aware that IN THE NEXT ROOM or the vibrator play contains sexual content and partial nudity.**
IN THE NEXT ROOM or the vibrator play was developed at New Dramatists.
Dr. Givings – Robert Paterno
Catherine Givings – Sammy Rat Rios
Sabrina Daldry – Emily Helton
Annie – Laura Beth Wells*
Leo Irving – Robert Parker Jenkins
Elizabeth – Jazmin Witherspoon
Mr. Daldry – Kenneth Herring
Understudy – Joshua Peterson
Director – Sarah Lacy Hamilton
Associate Director, Sound Designer – Jaleria Rivera
Scenic Designer – Carrie Ferrelli
Lighting Designer – Liv Jin
Costume Designer – Erin Reed
Props Designer – Dagen Pointer
Technical Director – Claude Hardy
Production Stage Manager – Jade Hurst
Assistant Stage Manager and COVID Safety Manager – Adam Crandall
Intimacy Choreographer – Casey Sams
Dialect Coach – Katie Cunningham
Intimacy Choreography Assistants – Amberlin McCormick and Amelia Peterson
Community Engagement Coordinator – Deidra Harper
Creative Director of Marketing – Amelia Peterson
Marketing – South Made Marketing
Light Board Operator – Cameron Wilson
Assistant Costume Designer and Wardrobe Crew – Keeley Wade
Scenic Construction Assistant – Travetta Johnson
ASL Interpreters – Carol LaCava and Kimberley Hinchey
House Manger – Wymon Anderson
Production Managers: Kenneth Herring and Sarah Lacy Hamilton
Photographer: David Johnson
*Director-choreographer is an associate member of the Stage Directors and Choreographers Society, a national theatrical labor union
Casey Sams
Sarah Martin, Open Door Architecture
Clarence Brown Theatre Props and Costume Departments
Poze
Aught
BS + Co.
Robin Easter Design
David and Travetta Johnson
Molly King
Christa Rosenberg
Postmodern Spirits
Shannon Hammaker, Pure Romance
Pellissippi State Community College Theatre Department
Maryville College Theatre Department
Derek White
Bird on the Wire Studios
Camden Simon
Oak Ridge Playhouse
David Crawford
Lori Matthews
Emily Helton is proud alum of The University of Tennessee, where she graduated in 2019 with a Bachelor of Arts in Theatre. After graduation, she spent her time working with children in various theatre arts outreach programs until she found a home at Knoxville Children's Theatre, where she proudly serves as the Academy Director. Some of her most beloved stage credits include A Christmas Carol (2018), Mary's Wedding (2019), Top Girls (2017), and Go, Dog. Go! (2015)
She is very grateful to the Clarence Brown Theatre for its many hard-earned lessons, her sister for being her steadfast champion, all the female mentors in her life her helped her learn herself, and to River and Rail Theatre Co, for allowing her to step into such a beautiful story.
Covid 19 fostered many thoughts in Emily. One of which being something like, "What if you rid yourself of this frivolous art business and get a master's degree in something dull and practical!" A thought she seriously considered and very nearly followed through. To those who aided in her resistance, she thanks sincerely.
Lastly, for being walking reminders for what it's all about, Emily thanks her partner Kelsi and their two sons, Dempsey and Duncan.
Parker is thrilled and honored to be returning to the River & Rail stage! Selected credits include The Unusual Tale of Mary and Joseph’s Baby (River & Rail Theatre); Candide, Violet, Peter and the Starcatcher, Spamalot, and King Charles III (Clarence Brown Theatre); Mary’s Wedding (Flying Anvil Theatre); and Ragtime (Encore Theatrical Company). Deepest thanks to Sarah, Jaleria, Casey, Josh, Amelia, our phenomenal production team, designers, and castmates. Love to my family and to Katy and David. Parker dedicates this performance to the memory of his beloved Aunt Mary – an adventurer and believer of dreams. Feel the fear and do it anyway!
Actor and writer Jazmin Witherspoon is a graduate of the University of Tennessee. Jazmin has worked with many Knoxville-based entertainment companies such as RIVR Media, Jupiter Entertainment, and The Carpetbag Theatre. Although Jazmin has multiple appearances in crime shows such as Fatal Attractions and For My Man, The Vibrator Play is her second stage play. Her debut role was in the Carpetbag Theatre’s 2019 production of Red Summer. Currently, she is the Director of Literary Operations at The Bottom, a black-owned bookstore and community center in East Knoxville. Jazmin Witherspoon is a Knoxville resident though she plans to attend graduate school in the Fall of 2022.
Sammy Rat Rios (she/they) currently resides in Portland, Oregon. Rios received a B.F.A. in Theatre Studies from Southern Methodist University and has written, acted, directed, and designed for theatre and film. Rios is an interdisciplinary performing and visual artist with a mission to redefine the theatrical experience through creative ways of storytelling. On the complete opposite end of the spectrum, you may have seen Rios trying to sell you cheese or guitars or a credit card on TV - whatever pays the bills, right? They are also a songwriter/producer for a SUPER COOL 80s New Wave solo project 'Rat Rios' and compose original music for podcasts and film. When they aren't creating art, you will find them either outside in the PNW's lush landscape, or holed up in their treehouse with their partner, animals, and plants, indulging in video games and vegan cuisine.
Joshua Peterson is a Texas transplant via Paris and New York but is now proud to claim Knoxville as his home. Prior to moving to Knoxville, Joshua served as the Artistic Director of Firebone Theatre Company in New York City. Joshua received his MFA in Acting from Southern Methodist University in Dallas. He also holds a BA in Theatre from Oklahoma Baptist University. Between pursuing his degrees Joshua spent two years living and working for a humanitarian aid organization outside of Paris, France. He made his Knoxville acting debut in Clarence Brown Theatre's A Christmas Carol. Other Selected Regional Acting credits include Measure for Measure and Much Ado About Nothing (Lake Tahoe Shakespeare Festival), Barry Love in House and Garden (Theatre Three), Gail in Our Lady of 121st Street (Kitchen Dog Theatre) and Jon in Tape (Dallas Theatre Center.
Kenneth grew up in Oak Ridge, TN, just 25 miles from downtown Knoxville. Kenneth holds a BA in Communications from the University of Tennessee at Chattanooga and a Masters in Business Administration from Bethel University. Kenneth has a non-traditional theatre background, having spent the 10 years working in Information Technology sales. Kenneth is a former member of the Hammer Ensemble, which performed at Knoxville's Flying Anvil Theatre. Kenneth is passionate about content creation and creating inclusive environments. Kenneth enjoys basketball and spending time with his son, Rayne.
Robert is an actor/teaching artist originally from Houston, TX and currently resides on the unceded Tongva/Gabrieleno territory of Los Angeles. TRAINING: BS Marine Biology (Texas A&M University), MFA Acting (Southern Methodist University). SELECTED CREDITS: Sebastian - Twelfth Night (Coeurage Theater); Buster Keaton - The Wild Party (The Speakeasy Society); El Fayoumy - The Last Days of Judas Iscariot (Hudson Theater); Mr. Dussel - The Diary of Anne Frank (Cupcake Theater); Flute/Thisby - Midsummer Night’s Dream (Theatricum Botanicum); Winston/Syme - 1984, Ensemble - The Curious Incident of the Dog in the Nighttime (Greenway Court Theater). TV/FILM: Vampire Diaries (recurring); Single Parents; Days of Our Lives. Proud SAG AFTRA member. Arts accessibility for all. Representation matters. IG: @robert_paterno_jr_el_he_him
Broadway: Emily Osborn in Spiderman: Turn Off the Dark (original cast). Regional theatre highlights: Mrs. Bradman in Blithe Spirit (CBT), Mrs. Dilber/Mrs. Fezziwig in A Christmas Carol (CBT), Heather in Gideon’s Knot (Bridge Street Theatre), Mrs. Walker in The Who’s Tommy (CT Rep), and Kafka/The Waitress in All in the Timing (Hangar Theatre). Teaching Artist: UTK, Maryville College, Pellissippi State, Knoxville Children's Theatre, SF Shakespeare Festival, Hangar Theatre, Cornell University, Syracuse University, SUNY Binghamton. Laura Beth received her BA in Theatre from UTK and her MFA in Acting from Kent State University. Love you, Tiny Family, and Sing Out, Louise!
Sarah Lacy Hamilton is a director specializing in actor-driven productions of new and contemporary plays that foreground the human condition and highlight the experiences of underrepresented communities. Past directing credits include PALANQUIN, Sweat, Blackberry: A Burial, HIR, and Nothing But Days at University of Iowa; Dry Land at Upstart Productions; and Gruesome Playground Injuries, Julius Caesar, and True West with House Party Theatre. She is an adjunct faculty member at Pellissippi State Community College, and has trained in intimacy choreography and consent-based practices with Intimacy Directors International and Theatrical Intimacy Education. MFA, University of Iowa. BFA, Southern Methodist University. Associate Member, Stage Directors and Choreographers Society.
Sarah Ruhl is an award-winning American playwright, author, essayist, and professor. Her plays include The Oldest Boy, Dear Elizabeth, Stage Kiss, In the Next Room, or the vibrator play (Pulitzer Prize finalist, 2010); The Clean House (Pulitzer Prize finalist, 2005; Susan Smith Blackburn Prize, 2004); Passion Play (Pen American Award, Fourth Freedom Forum Playwriting Award from the Kennedy Center); Dead Man’s Cell Phone (Helen Hayes Award for Best New Play); Melancholy Play; Demeter in the City (nine NAACP Image Award nominations); Scenes From Court Life; How to Transcend a Happy Marriage, For Peter Pan on Her 70th Birthday; Eurydice; Orlando; and Late: a cowboy song. Her plays have been produced on Broadway and across the country as well as internationally, and translated into fourteen languages. Originally from Chicago, Ms. Ruhl received her M.F.A. from Brown University, where she studied with Paula Vogel. She is the recipient of a Helen Merrill Emerging Playwrights Award, a Whiting Writers’ Award, a PEN Center Award for mid-career playwrights, a Steinberg Distinguished Playwright Award, and a Lilly award. She is a member of 13P and New Dramatists and won the MacArthur Fellowship in 2006. She teaches at Yale School of Drama and lives in Brooklyn with her family. (Official Headshot by Greg Constanzo)
Jade Hurst (Production Stage Manager) has been working freelance stage management in Knoxville since 2016. During this time, she had worked on about 30 separate shows with at least 10 different companies. She has a BA in Film from Carson-Newman University and a MA in Cinema Studies from Savannah College of Art and Design.
Jaleria Rivera (Assistant Director/Sound Designer) is thrilled to experience her second production with the River & Rail Theatre Company. As a later-bloomed dancer with a professional background in sales marketing, her unconventional artistic path supplies a unique perspective to any project. To friends and family, she’s known as a passionate Amateur, who’s unafraid to dive into an activity with the utmost curiosity and enjoyment. Jaleria’s primary source of fulfillment derives from movement, where she dutifully practices tribal fusion, waving, and waacking. Collaboration and vulnerability influences her work, and she’s thrilled to embark on a new journey into the theatre.
Casey Sams (Intimacy Choreographer) Casey Sams (Intimacy Choreographer) Casey is a resident artist at the CBT where she regularly works as a director and choreographer. She is also interim Head of Theatre and a Professor of Theatre at the University of Tennessee at Knoxville. Casey last worked at River & Rail as the Intimacy Choreographer for Constellations. She has had the great good fortune to work at such theaters as Cincinnati Playhouse in the Park, PlayMakers Repertory Theatre, The Roundhouse Theatre, St. Louis Repertory Theatre, Virginia Stage Company, Vermont Stage, The Utah Shakespearian Festival, Great River Shakespeare Festival, North Carolina Stage, and Knoxville Opera, among others. Casey has also written plays for young audiences which have been produced across the southeast. Her Undergraduate and Graduate degrees are both from Penn State, she is a Certified Laban Movement Analyst from the Laban/Bartenieff Institute of Movement Studies in New York, and she has trained in intimacy choreography with Theatrical Intimacy Educators. You can see more of her work at www.caseysamstheatremaker.squarespace.com
Claude Hardy (Technical Director)received his M.F.A. from Wayne State University in Detroit, MI. Hardy teaches theatre design at Pellissippi State. He has worked with several theatre companies in the Knoxville area such as: Knoxville Opera, UT Opera, the Carpetbag Theatre, Theatre Downtown Knoxville, and River and Rail Theatre. Design credits include Machinal, A Midsummer Night’s Dream, Great American Trailer Park Musical, Voice of the Prairie, Brighton Beach memoirs,A Doll’s House, Angels in America: Millennium Approaches, Arabian Nights, The Barber of Seville, Antigone, Unnecessary Farce, Tempest, and She Kills Monsters, Bloody, Bloody Andrew Jackson, Stupid Fucking Bird, The Seagull, Soft Animals, These Shining Lives, SWOPERA, and Red Summer.
Carrie Ferrelli (Scenic Designer) received her MFA in Scene Design at the University of Tennessee, Knoxville after spending her undergraduate years in South Carolina at the College of Charleston. Recent credits include Cove Creek Boy and Summer Girls (Scene and Heard, Dublin, IE), Airness, People Where They Are, The Real Inspector Hound (Clarence Brown Theater), The Unusual Tale of Mary and Joseph’s Baby (River and Rail), Feathers and Teeth (What If? Productions), and the production design for the short film Manufactured Luck. As an assistant, she has worked on productions in theaters across the country including Pure Theater, Olney Theatre Centre, Shakespeare Theater of New Jersey, and most recently with scenic designer Donyale Werle at New York City Center.
Liv Jin (Lighting Designer)is an undergraduate senior at the University of Tennessee-Knoxville double majoring in English Literature and Theatre Design and Technology (with Honors). This is their first show with River & Rail, and they will next be seen designing lights for Callaway with UTK’s All Campus Theatre and assistant designing for Always… Patsy Cline at the Clarence Brown Theatre. Outside of the theatre, Liv knits and crochets, hangs out with their cats, and contemplates raising ducks.
Erin Reed (Costume Designer) is a freelance costume designer based in Knoxville, Tennessee. Select costume design credits include: The Unusual Tale of Mary and Joseph’s Baby (River & Rail Theatre Co.), The Ant and the Grasshopper (The Repertory Theatre of St. Louis), Blithe Spirit and Pinocchio (Oak Ridge Playhouse), The Madwoman of Chaillot, Alias Grace and Peter and the Starcatcher (Clarence Brown Theatre). Erin’s work was featured at the United States Institute of Theatre Technology’s Young Designers’ Forum, and the National Design Portfolio Review in New York City. She was also the recipient of the 2019 Zelma H. Weisfeld Costume Design and Technology Award. To learn more, visit www.ereedcostumedesign.
Dagan Pointer (Props Designer) is a recent graduated from Maryville College from Memphis, TN. Since graduating, they’ve made Maryville and Knoxville their home and continue to work for Maryville College as one of two Assistant Technical Directors for the Clayton Center for the Arts. While this is their Props debut they have worked on Shrek, Grease, and the Farnsworth Invention.
Katie Cunningham (Dialect Coach) is an Assistant Professor of Theatre at the University of Tennessee and specializes in voice, speech, and dialects. Katie previously coached Constellations at River & Rail and is resident voice and speech coach and a regular in the acting company at Clarence Brown Theatre. She is a certified teacher of Knight-Thompson Speechwork. Her writing and peer-reviewed research have been published in the Voice and Speech Review, The Conversation, and The International Dialects of English Archive. Katie holds an M.F.A. in Acting from Florida State University/Asolo Conservatory for Actor Training and a graduate certificate in vocology from the Department of Speech and Hearing Science at Lamar University. www.katiecunningham.com
Adam Crandall (Assistant Stage Manager/COVID Safety Manager) is super excited to be working on his first show with R & R! He is a graduate of the University of Tennessee’s Theatre program. He previously served as the Director of Theatre Arts for Sundress Academy for the Arts, where he founded their annual OUTSpoken performance review. Adam has been singing with the Knoxville Gay Mens’ Chorus since 2014 and currently serves as their in-house playwright. Recent local productions include A House for Mandy (Granger ,TSC’s New Play Festival) Tiger Lily’s Night of Shorts (director and actor), You’re a Good Man, Charlie Brown (Schroeder, Foothills Community Players), The Mousetrap (Sergeant Trotter, Theatre Knoxville Downtown), 9 to 5: The Musical (Bob Enright, Maryville College), Spring Awakening (Hanschen, Sex Week UT), and Almost, Main (director, All Campus Theatre). He’d like to thank his family, his friends, and his Nathan for their undying support of his ever-changing passions.
Keeley Wade (Assistant Costume Designer/Wardrobe Crew) Keeley Wade is happy to be assisting with costume design and wardrobe. She is currently studying history and theatre at the University of Tennessee and loves this show’s Victorian fashion.
Cameron Wilson (Light Board Operator) works behind the stage, beside the stage, and sometimes below the stage- wherever his modest skills are needed. Often seen carrying things for his beloved wife Jade, he enjoys hot sauce, home-cooked meals, and daydreaming in his free time. Cameron is thrilled to join TVP as the board operator, since he’s not licensed to operate much else. Please enjoy the show, and always remember to practice safe techs.
Deidra Harper (Community Engagement Coordinator) a local Knoxville native, is an entrepreneur owning Elite Facility Maintenance and a Freelancer who focuses on Graphic Design. She’s also the public relations director for TENSE Summit, TENSE stands for Teaching to Eliminate Negative Stereotypes through Education,is a group of business owners and other professionals dedicated to empowering and educating youth. She’s helped raise more than $10,000 for college scholarships. She’s also a member of Alpha Kappa Alpha Sorority, Inc. She also serves on the boards of Knoxville Botanical Garden and Arboretum as well as the Greater Knox County Chamber of Commerce. Harper is embracing her title of business woman and active community leader, focusing on bringing effective change to East Knoxville.
David Brown
Tyler Hays
Logan Mahan
Tommy Nguyen
Amelia Peterson
Joshua Peterson
Deaver Shattuck
Genevieve Turner
Katy Wolfe, President
Founding Artistic Director – Joshua Peterson
Managing Director – Kenneth Herring
Artistic Producer & Director of Development – Sarah Lacy Hamilton
Artistic Producer & Creative Director – Amelia Peterson
Community Engagement Director – Logan Mahan
When you look at the demographics of Knoxville, the people that live on the river and the people that live near the railroad experience Knoxville from vastly different perspectives. Our neighborhoods, churches, community groups, and social circles seem deeply divided along various lines. Some are the literal lines of the Tennessee River or the tracks of the railroad, and some are metaphorical, like the lines between races, religions, and ethnic groups or the cultural lines between east, west, north, and south Knoxville. The goal of River & Rail Theatre is to not just create professional theatre accessible to all Knoxvillians, but to create theatre true to the stories of Knoxville, shared collectively by those on every side of every line.
If you share this vision of Knoxville with us, if you can see it too – a packed house at the Old City Performing Arts Center, full of people who don’t look, smell, hear, see, walk, and talk the same way yet who share in the same deep, beautiful humanity; then we invite you to help us make that happen. Your contributions enable us to pay our staff, artists and team members living, professional wages; they allow us to offer pay-what-you-wish tickets, so that people can attend our performances for as little as three dollars; they cover the cost of professional lighting and sound equipment, costumes and sets, because we want to make work that holds itself to a national professional standard, that pushes the limits of what Knoxville can do. Every dollar is tax-deductible, and every penny makes a difference. Consider making your mark on this city with us.
Interested in supporting the work of River & Rail Theatre Company? Click the button below to make a one-time or recurring donation. We are so grateful for your support!
River & Rail Theatre Company is an IRS-approved 501(c)(3) nonprofit organization.