THE BURN VOTE
THE BURN VOTE is produced by special arrangement with the Playwright and Elaine Devlin Literary, Inc., 1115 Broadway, 12th Floor, New York, NY 10010.
We would like to begin
by acknowledging that the land
on which we gather is the unceded territory
of the Yuchi and Cherokee People.
We offer our gratitude for the land itself,
and the Indigenous people that
stewarded it for generations.River & Rail Theatre Co.
Katy Wolfe — Febb Burn/Vocal Music Director
Robert Parker Jenkins — Harry T. Burn
Amara Pappas — Lola Lockley /Suff 1/ Tennessean 1
Denise Blank — Helen/Suff 2/ Pit 4
John Guerrasio — James Burn
Karen Nickell — Lizzie Crozier French
Emma Tate — Newscaster/Suff 3/Pit 3/Carl/Governor Roberts/House Speaker
Celeste Pelletier — Speedy Jack/Suff 4/Richard/Woodrow Wilson
Ella Trisler — Wickam/Suff 6/Tennessean 2/Pit 2
Olivia Squires — McDelmot/Suff 5/Pit 1/Party Woman Guest/Dance Captain
Amy Porter — Pianist
Wade Jenkins — Percussion/Instrumental Music Director
Eric Hullander — Bass
Betsy Abernathy — Rehearsal Accompanist
Director – Amelia Peterson
Stage Manager – Jade Hurst
Assistant Stage Manager – Amelia “Amy” Zahn
Assistant Stage Manager – Megan O’Neal
Vocal Music Director – Katy Wolfe
Choreographer – Casey Sams
Assistant Choreographer – Gabriela Bulka
Technical Director – Scott Baron
Scenic Designer – Christopher Pickart
Props Designer / Scenic Painter – Jason Ammons
Lighting Designer – Angelyn Baer
Sound Designer – Allison Bucher
Costume Designer – Meg Zinky
Hair Designer – Foxy Officer
Dramaturg – Keeley Wade
Photography – David Johnson
Photography – Chris Alley
Book Author – Chris Cragin Day
Composer/Lyricist – Don Chaffer
Composer/Lyricist – Lori Chaffer
Artistic Director/Executive Producer – Joshua Peterson
Associate Artistic Director/Line Producer – Emily Ernst
Executive Director – Kenneth Herring
Marketing and Operations Intern – Afton Howard
01 FIND A WAY FORWARD IN 1920
02 A WOMAN’S RIGHT TO VOTE
03 HARRY T. BURN OF NIOTA TENNESSEE
04 FOR THE SAKE OF…
05 WE THE PEOPLE, THE STATE OF TENNESSEE
06 THE NATURAL STRUCTURE OF ALL THINGS
07 WE THE PEOPLE REPRISE
08 YOU DIDN’T HAVE TO COME ALL THIS WAY
09 DEAR WILSON, DEAR ROBERTS, DEAR TENNESSEE
10 RIGHT IN THE MIDDLE
11 WAITING FOR A LONG TIME
12 CONFUSION, LOYALTY, POWER
13 I DON’T SEE HOW I CAN
14 MY SENSE OF MY SON
15 TELEGRAMS
16 WHAT’S BEST FOR HARRY
17 HE NEEDS HIS SPACE
18 ROOM AT THE TABLE
19 THAT’S THE LAW
20 LET EVERYONE IN!
January 21, 2017. I remember the day of the Women’s March very clearly. The largest single-day protest in U.S. history. Not because I was there. And not because I participated in Knoxville’s local version on the same day. But because I was at home. With a sick kid. I was being a mom. I ached to go be a part of something so big. To stand up against the misogyny that was taking over the White House. To wear a pink pussy hat and stand arm and arm with my sisters in the fight. To set an example for my own children. But I was at home with Penny, my two-year-old snotty-nosed daughter and Eli, my four-month-old baby son. I felt like such a failure. Like I was letting my people down. Like a fraud who said she stood up to justice but didn’t show up when it really mattered.
As we sat at home nursing a cold on this rainy day, Penny and I chatted. She has always loved a good chat. I told her about the marches that were happening in our town and on the National Mall. She asked a lot of questions. She always has a lot of questions. I listened to this feisty two-year-old girl with a precociously large vocabulary packed into a particularly tiny body and thought about how she was going to have to stand up for herself some day. Stand up to the Misogyny. To the people who would tell her she was too small, too loud, too emotional, too opinionated. She already hated being called cute. She would scowl at anyone who doted on her. So, in the spirit of the women marching that day, I asked, “Penny, can you say this? I am strong.”
Penny: “I am strong!”
Me: “I am brave.”
Penny: “I am brave!”
Me: “And you can’t stop me!”
Penny: “And you can’t stop me!”
I made a video of her proclaiming her power. She was actually really cute. Tiny fist in the air. I thought I might post it on Instagram in solidarity with the marches, and I probably did, expecting a few likes and comments from friends. But what I didn’t expect was that for years after that day, anytime someone would poke her cheek or lean down and tell her how cute she was, she would perk up and say quite loudly, “I’m not CUTE! I’m BRAVE and STRONG!”
In THE BURN VOTE, we imagine the ache of a mother who feels like she hasn’t done enough. Febb Burn, mother to the bright, young politician Harry T. Burn, longs to “march with her sisters for the common cause” to see her own “brown leather boots on that cobblestone, to be arm and arm knowing that [she’s] not alone.” She is torn between the needs of her family and her own deep need to be seen and heard, to matter. The big marches matter; they mark and demand progress. But so do the small, quiet acts of love or bravery. Sometimes it’s the words we offer our children from the lonely corners of our unseen lives that change history.
In 1878, the so-called “Susan B. Anthony” Amendment made its first appearance on the Senate floor. The proposed amendment, which stated that “the right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex,” would be rejected many times before it was finally passed. From the time the amendment was first introduced in Congress to its eventual ratification, life in the United States changed radically. New technologies emerged, a World War was fought, and many of the leaders of the early women’s suffrage movement died. Though the cleverness, political savvy, and commitment of the many people involved with the fight for women’s suffrage cannot be denied, chance played a large role in the final steps needed to ratify the Nineteenth Amendment. Who could have predicted that one of the final states to decide on the amendment would be Tennessee? Who might have guessed that the vote would be close–so close that it would come down to a twenty-six year old legislator from Niota County, Tennessee? And who knew that in the jacket pocket of that young man was a letter written by his mother, urging him to vote for suffrage?
The Burn Vote was set to have its world premier at River&Rail in August 2020. What would have been the inaugural show of the 2020-2021 season and a celebration of the centennial of the Nineteenth Amendment’s ratification was put on hold for the pandemic. Ever since then, live theatre has been making its gradual comeback, and The Burn Vote is once again set to make its debut. In the four years since the show was originally set to premier, things have inevitably changed. From our understanding of the complicated history of the women’s suffrage movement to contemporary politics concerning women’s rights, we feel that this story is still one worth telling.
When you were given this program, you were sitting in a small black box theatre in Knoxville’s Old City. Our job, as theatre artists, would not truly be complete if the story we told never left this room. We hope you will continue to learn about the development of suffrage and women’s rights in the United States. Without even leaving Knoxville, you can find many traces of this story all around you. On the corner of the Hyatt Place on Gay Street, you will find a plaque denoting the childhood home of Knoxville’s most esteemed suffragist, Lizzie Crozier French. And in Old Gray Cemetery, she is laid to rest in her family’s plot. The telegrams that Harry receives throughout the show, real messages from constituents sent to the young legislator, and the now famous letter from Febb, can all be found online or in-person at the McClung Historical Collection. And of course, bronze statues of Febb, Harry, and Knoxville’s three most influential suffragists stand proudly in the heart of downtown, a reminder of those who played critical roles in enfranchising women across the nation.
Thank you to Johnson Architecture, Robin Easter Design, Benefield Richter, Brandon & Tricia Bruce, Molly King with Molly Jo Events, and Liz Stowers for their support of The Burn Vote
This musical wouldn’t exist without the vision and encouragement of our friend, Liz Stowers. Liz, thank you very much for believing in us, and for always challenging us to make our work the best it can be. May this be the first of many projects we create together! With love, The River & Rail Team.
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The Chairs at the Old City PAC were donated to River & Rail by the Angel Capital Group in memory of Sam McCamy.
Denise Blank, is extremely happy to participate in her first production with River & Rail. Local credits with TN Stage Co.: The Complete Works of WS Abridged, Touchstone in As You Like It, and will appear as Lady Capulet this summer. Chicago credits: Leaving Iowa (Royal George Cabaret), The Middle Ages (Buffalo Theatre Ensemble), Metropolis PAC, Collaboraction, Seanachai, First Folio, Borealis/Fox Valley Shakespeare and numerous development projects. Other stage credits: Brown County Playhouse, California Conservatory, Lamplighters, San Jose Young Conservatory. On-camera credits: industrials (NHTSA, Ace Hardware), regional commercials, and supporting roles in several independent features. She also directs, writes (YouTube musical series Atonality w/Philip Seward; e-books w/Leon Blank), and taught theatre from elementary to university. MFA Indiana University; BA, MNA Notre Dame; American Conservatory Theatre. Her day job is currently project management.
John Guerrasio began his acting career with New York’s acclaimed Roundabout and Lion Theater Companies. He has since worked extensively with America’s leading regional and summer stock theaters. John spent over thirty years based in England where he performed in the West End and at such notable venues as The Old Vic, The Almeida Theatre, The Hampstead Theatre, The Chichester Festival and The Nottingham Playhouse. While in London, he became a regular American actor on BBC radio starring in such dramas as Sister Carrie, The Death of a Salesman and Little House on the Prairie. His other voice works includes “revoicing” scores of actors in films, dying bloody deaths in computer games and supplying funny voices for countless cartoon animals, ants and aliens. John wrote and hosted popular TV programs for The Travel Channel, PBS and Sky Movies and has acted in TV dramas, comedies and drama-documentaries for Netflix, Hallmark, Amazon, BBC, NBC, National Geographic, The History Channel and Paramount among others. Many of those films are currently streaming. He has starred in award-winning commercials shown worldwide for Coca-Cola, Volkswagen, Xerox, Mars Candy, McDonald’s and Burger King. John has taught acting at American high schools and colleges, in US and UK drug rehabs and prisons and at most of England’s top drama schools including the Royal Academy of Dramatic Art and The Lee Strasberg Institute.
What a privilege it is to back home for a River & Rail show – especially this particular one. Past R&R credits: Harry “Jazzbo” Heywood, It’s a Wonderful Life; Roy/Pete/Mark/Bobby Jeremy, Fun Home; Leo Irving, In the Next Room (or The Vibrator Play); Benjamin, The Unusual Tale… Clarence Brown Theatre credits: Berger, Hair; Cootsey/Nick, King Charles III; Ted, Peter and the Starcatcher; Leroy Evans/Radio Singer, Violet; and many more. My love and thanks to Amelia, Josh, Kenneth, Emily and my River & Rail family. And to all the women who had a hand in raising me, have a hand in guiding me, and continue to inspire me. Hurrah for Suffrage!
Karen Nickell, “with a supple, pliant mezzo-soprano, wonderfully sensitive to the interplay of words and music” (Chicago Tribune) came to public attention with her professional debut in the title role in Peter Brook’s acclaimed Lincoln Center production of La Tragédie de Carmen. Ms. Nickell has performed major roles with opera companies throughout the United States and abroad, including Vancouver Opera, Spoleto Festival in Spoleto, Italy, New Orleans Opera, Santa Fe Opera, Hawaii Opera Theatre, Michigan Opera Theater, Fort Worth Opera, Columbus Opera, Mobile Opera, Anchorage Opera and Knoxville Opera. She has appeared on the concert stage with the Charleston SC, Richmond, Honolulu, West Virginia, Kingsport and Knoxville Symphonies. Ms. Nickell has also performed with the Yale Camerata, the University of Tennessee Symphony and City Musik in Chicago. Following her 20 year opera career, Karen became a family nurse practitioner and practiced family medicine for 22 years. A native of Salina, Kansas, Ms. Nickell is currently enjoying living in beautiful Knoxville, TN with her husband, bass-baritone Andrew Wentzel.
Amara is ecstatic to be making her River and Rail debut as Lola Lockley in Burn Vote! She is currently a senior at the University of Tennessee, Knoxville studying Arts Entrepreneurship though the College Scholars Program. Under the teachings of Andrew Skoog, Marjorie Stephens, and (fellow cast member!) Katy Wolfe, Amara has studied voice for 9 years, and has received accolades from the National Association of Teachers of Singing and the UTK College of Music Celebration of Excellence Competition. Amara would like to thank her family and friends for their support, love, and encouragement through such a busy and exciting season of life!
Celeste Pelletier is beyond thrilled about the opportunity to work with the wonderful cast and crew of River and Rail’s production of The Burn Vote. You may have seen her before at River and Rail as #46 in The Wolves or The Fox in The Little Prince. She also very recently played Cordelia in Pellissippi College’s production of King Lear. She is very grateful to be a part of this first-time production, and hopes you enjoy it as much as she enjoys performing it. Celeste would like to thank everyone in the crew, her wonderfully supportive friends and family, all her barista buddies, and most of all, her cat Dumpy. Now, grab your sashes, raise your picket signs, and enjoy the show!
Olivia Ann Squires is a Knoxville native and freshman at the University of Tennessee Knoxville’s College of Music. This is her first production with River and Rail Theatre Co. Her recent credits include: ACT Musical Theatre Revue (Not Getting Married Today), Suor Angelica (Suor Osmina) with the UT Opera Theatre, Beauty and the Beast (Babette) with Tennessee Valley Players, and Cats: Young Actors edition (Bombalurina) with the Primary Players.
Emma Tate has voiced countless kids, witches, monsters and animals for major US, UK, Australian and European broadcasters in countless animated series, movies and computer games, such as Bob the Builder, Hellboy, Shawn the Sheep and Harry Potter and is the voice of the anniversary ET doll in six different languages. Emma has also worked extensively on stage in her native UK, including at the Young Vic and Phoenix Theatre, in London's West End, playing leading classical, contemporary and musical theatre roles. She has featured many times on British TV and BBC radio and has won awards for her work in audio books. Emma left London a little over a year ago and continues to record remotely for the UK from her new home in Tennessee. This is Emma's stage debut in America.
Ella Trisler is delighted to be making her debut with River and Rail Theatre! She is a Senior Theatre student at the University of Tennessee, Knoxville, and her recent roles include Emilie Vandergaard in The Moors and Hall in Men on Boats (Clarence Brown Theatre). Her community theatre credits include Mayella Ewell in To Kill a Mockingbird and Louisa von Trapp in The Sound of Music (Oak Ridge Playhouse). Last summer, Ella attended the Atlantic Acting School's Summer Intensive (NYC) where she studied the principles of Practical Aesthetics. In July, you can catch her on the Clarence Brown Theatre Mainstage in Fiddler on the Roof with the WordPlayers!
Katy Wolfe has appeared extensively in this region as well as overseas as a versatile performer fluent in both opera and musical theatre. She was most recently seen at River and Rail as Helen in Fun Home. Favorite roles include Marian in Music Man, Aldonza in Man of La Mancha, Kate in Kiss me Kate, Musetta in La Bohème and the Beggarwoman in Sweeney Todd. Other highlights include the Knoxville Symphony’s Fourth of July Celebration at World’s Fair Park and the 75th Anniversary of the Smoky Mountain National Park. Katy spent 14 years as the voice teacher for the Department of Theatre at the University of Tennessee and as a Company
Member with the Clarence Brown Theatre and now splits her time performing and teaching in Knoxville and NYC.
Katy is passionate about bringing her training in bel canto vocal technique together with the study of a deep connection to text to actors and singers. She continues to train an impressive roster of Broadway, Film, and TV professionals with her private Voice Studios in Knoxville and
in New York City, including Tramell Tillman (Apple TV’s Severance), Conrad Ricamora (How to Get Away with Murder, Here Lies Love, King & I) Treston Henderson (National Tour Ain’t Too Proud) and Bailey McCall (MJ Broadway). Katy also produces several cabarets every year in
NYC with her studio.
Katy holds degrees from Belmont University where she studied with Marjorie Halbert and the University of Tennessee where she studied with George Bitzas. She is a proud member of Actors Equity Association.
Betsy was the rehearsal accompanist for The Burn Vote and was thrilled to have a small part in this wonderful production. She thanks River and Rail for welcoming her into their warm and supportive community. Betsy grew up in Scarsdale, New York, went to college in Massachusetts, and has lived in lots of other places (including 5 years in Grenoble, France) before settling in Oak Ridge with her husband and three daughters, now grown. A former English teacher and copy editor, Betsy is currently involved as a volunteer with a number of community organizations in the Oak Ridge and Knoxville area. Betsy also enjoys many different creative activities, such as knitting, sewing, papercrafts, beading, polymer clay, and, most recently, model ship building.
Bassist Eric Hullander was born and raised in Knoxville, TN and began studying music at early age: piano and violin with Paul Jones and Phyllis Steen, then in high school electric bass with Dave Nichols. He studied electrical engineering in college, but began studying contrabass with Rusty Holloway while playing with various local Knoxville bands. He was a founding member of the rock-jazz collective The Primordial Soup. In 2006 he moved to Seattle, WA and worked as an engineer while playing, recording, and touring with many different kinds of bands and eventually recorded an album of his own original jazz compositions, "Seabop", in 2015. More recently he has produced a series of jazz live streams from his home in Seattle featuring many of Seattle's finest players which can be found on YouTube. In 2024 he moved back to Knoxville to be close to friends and family and after connecting with old friends at the "Big Ears" Festival, got a call to be in this musical.
Wade Jenkins is a percussionist and IT Professional in Knoxville. His favorite projects involve blending music and technology. Projects range from using data analysis techniques to compose to building musical models of cellular automata. He holds degrees in computer science and music from the University of Tennessee, where he studied with Andy Bliss and Brendan McConville. Wade lives in East Tennessee with his wife, Julie, and kids. He and his family are always trying to figure out how to spend more time in the mountains and if it's really time to re-watch The West Wing again.
Amy plays tonight in honor of Sierra Shuck Sparer, who shone brightly and always made space to let everyone in. She blooms on in our hearts!
Amy is grateful to return to the River & Rail for her third production, and so blessed to be a small part of the Burn Vote story! Her 1st production with R&R was their first, another debut musical by the power team of the Chaffers/Cragin-Day, “The Unusual Tale of Mary & Joseph’s Baby.” Over her career she has performed with several theaters, opera festivals, and orchestras. Once in Knoxville, Amy was a long-term vocal soloist with KEMP, the Knoxville Early Music Project, and a music faculty member for both Pellissippi State, and for the Knoxville Community School of the Arts. She gratefully serves as the Worship Director for The Church of the Redeemer in Blount County, teaches Voice and Piano, sings with the Amadeus Chamber Ensemble, and occasionally assists school choir and theater programs. (Most recently, she was the AD for L&N STEM Academy’s production of “Footloose,” also here at the Old City PAC.) She is immensely thankful to God for her family, for her husband Russ and the 4 young adult children who have given her the role of a lifetime: mom.
Chris Cragin-Day is a NYC playwright, librettist, and screenwriter, who grew up in Hong Kong, China, and Oklahoma. She is an alumna of The Public Theater’s Emerging Writer’s Group, the O’Neill National Music Theater Conference, and the Act One Writing for Hollywood program. Her play, Martin Luther on Trial, received an Off-Broadway run followed by two national tours. Her play, Foster Mom, partly based on her own experience as a foster parent, won the New Play Award at Premiere Stages and received a production there. Her play, A Woman, was part of 59E59th’s Summer Shorts series and was later presented at the National Women’s Theater Festival. Her musical, The Unusual Tale of Mary and Joseph’s Baby, played at The Fringe NYC, enjoyed 5 subsequent productions at River and Rail Theater in Knoxville. Most recently, her play Tornado played at the Actor’s Coop in Hollywood and her newest play, Oleanna, Land of Free, was part of Amphibian Theater’s Sparkfest. Chris’s musical, The Burn Vote, has an upcoming World Premiere at River and Rail Theater. Chris has received commissions from The Director’s Company NYC, Pacific Theater, John McCandlish Phillips Journalism Institute, Fellowship of the Performing Arts, AD Players, and River and Rail Theatre. She’s currently working on a musical adaptation of the middle grade novel, The Naughtiest Girl in School, commissioned by The Director’s Company, NYC, as well as a play commission about one of the NY Times’s greatest journalists, John McCandlish Philips. www.chriscragin-day.com
Don Chaffer is a composer/lyricist/librettist of over ten theatrical pieces, including: Son of a Gun, The Unusual Tale of Mary & Joseph's Baby (which has played several times at River & Rail), and The Sparkley Clean Funeral Singers (which was published by Concord Theatricals NYC). Don is also a singer-songwriter in the band, Waterdeep, with his wife, Lori; a record producer/engineer (Indigo Girls, Sara Groves, Sandra McCracken, etc.); a songwriter with both radio (Big Daddy Weave, Third Day, Bebo Norman, etc.) and film/TV credits (The Client List, Private Practice, One Tree Hill, etc.); and an author of poetry, fiction, non-fiction, and screenplays whose work has appeared in books (Ramble & Sway, The Voice, The Art of Being) periodicals (Relevant magazine, Molehill journal, Art House America Blog), and on television (The Slugs and Bugs Show). Don is currently the artist-in-residence at Lipscomb University's School of Music, where he is a full-time professor of commercial music. He lives in Nashville with his wife, one of two kids (the other's off to college), and a cat named Orangey.
Lori Chaffer is a record producer, singer/songwriter, studio owner, and founding member of the band Waterdeep, who has released more than fifteen studio albums to date. Lori has also released one solo record (1beginning), as well as a number of singles and collaborations (inc Hannah Miller, Sara Groves). Her songs have been heard on Private Practice, One Tree Hill, Beauty and the Beast, and Teen Mom. She won the ASCAP award for Wicked Webb in 1999. Other theatre experience: She scored Lori Fischer’s play Memory of Damage (with Don Chaffer) and wrote lyrics and music for The Zombie Family Musical (with Don Chaffer and Chris Cragin Day). She lives in Nashville TN with her husband Don and two children Miles and Ruby.
Amelia Peterson began her directing career as a teenager at Bearden Highschool under the wing of Knoxville legend, Leann Dickson, who would often pull Amelia offstage to ask her opinion about staging and visual storytelling. Local directing credits include A CHRISTMAS CAROL (The Clarence Brown Theatre), EVERY BRILLIANT THING (River & Rail Theatre Co.), and THE UNUSUAL TALE OF MARY & JOSEPH'S BABY (River & Rail Theatre Co. - 2016, 2017, 2018). New York City: MORBID POETRY at the Incubator Arts Project; LONG, LONG AGO with Firebone Theatre Company; APT 3E Director’s Lab Series with Molly Murphy. WASHINGTON, DC: Kennedy Center’s Page to Stage Festival; Inkwell Theatre’s Showcase Reading Series. Film credits include GHOSTLIGHT (co-director), and WHIPOORWILL (screenwriter). Amelia is a co-founder of River & Rail Theatre Company, a mother to three awesome kids, and a partner to her favorite person, Joshua Peterson. She wants to thank her Cara, Jen and Genevieve for always having her back.
Jade Hurst has been stage managing since 2010. She has a BA in Film from Carson-Newman University and a Master of Arts in Cinema Studies from Savannah College of Art and Design.
Amy is currently a 4th year student at UTK studying Music Education. In the past year, she has conducted/music directed a musical theatre review and the opera Mavra by Stravinsky. She was also the child supervisor for River & Rail’s production of Fun Home last season. She is excited to continue working for River and Rail as the ASM for this production.
This is Megan’s first production with River and Rail and she is so grateful to be a part of this show! Megan is a student in her second year at Pellissippi State Community College, majoring in theatre with a concentration in design tech. Previous credits include props with Knoxville Opera’s La Traviata at the Tennessee Theatre, as well as costuming in King Lear at Pellissippi State in collaboration with the Wordplayers and acting and puppet designing in Peter and the Wolf, also at Pellissippi. Megan hopes to pursue theatre design and direction at the University of Tennessee or MTSU in the coming fall. She is so excited for everyone to see the show and learn this story!
Casey Sams (Choreographer) is thrilled to be a part of bringing this wonderful new work to the stage! Casey is a professor in the UT theater department and is a resident artist at the Clarence Brown where she regularly works as a director, choreographer, and intimacy choreographer. Casey has worked at River & Rail as the Intimacy Choreographer for CONSTELLATIONS and IN THE NEXT ROOM, OR THE VIBRATOR PLAY. She has had the great good fortune to work at such theaters as Cincinnati Playhouse in the Park, PlayMakers Repertory Theatre, The Roundhouse Theatre, St. Louis Repertory Theatre, Virginia Stage Company, Vermont Stage, The Utah Shakespearean Festival, Great River Shakespeare Festival, North Carolina Stage, and Knoxville Opera, among others. Her Undergraduate and Graduate degrees are both from Penn State, she is a Certified Laban Movement Analyst from the Laban/Bartenieff Institute of Movement Studies in New York, and she has trained in intimacy choreography with Theatrical Intimacy Educators.
Gabriela Bulka is an actor, dancer, movement director and producer, currently an MFA Acting student at the University of Tennessee. Originally from Krakow Poland, Gabi is excited to join Knoxville's theatre community. Formerly trained at the Conservatory of The Lee Strasberg Theatre and Film Institute in New York, she holds a Professional Dancer and Choreographer Diploma, as well as a degree in IP Law.
Recent credits include Clarence Brown Theatre: "A Christmas Carol" (Mrs. Cratchit, Mercy Miggot) and "The Giver" (Ensemble, u/s Chief Elder) RJ Theatre Company: “Charlie” (TheatreLab NY producer/mov.dir.), “Hamlet Split Apart” (The Flea NY producer/mov.dir)
@ga_bulka @rj_theatre
Originally from Nashville, Scott graduated from Samford University in 2022. He joined River and Rail for the first time as the technical director for The Little Prince in the fall of that year, and joined the staff shortly after working on River and Rail productions as the technical director. Previously he's worked as the lighting designer on shows such as, A Case for the Existence of God, Vanities, Krapp's Last Tape, and The Strange Case of Dr. Jekyll and Mr. Hyde. He welcomes you to the Old City Performing Arts Center and hopes you enjoy the show.
Chris runs the MFA Scenic Design Program at The University of Tennessee and is thrilled to be collaborating with River and Rail. He has designed numerous Off-Broadway shows including the critically acclaimed End of the World Party at the 47th Street Theatre, and Always....Patsy Cline at the Variety Arts Theatre. Other Off-Broadway shows include the long running Perfect Crime, The Bench, Between Daylight and Booneville, Washington Heights, Savage in Limbo, and Independence by Lee Blessing. Regionally, Chris has designed at the Tony Award winning Utah Shakespearean Festival, the Tony Award winning Children’s Theatre in Minneapolis, Arden Theatre in Philadelphia, Repertory Theatre of St. Louis, Great Lakes Theatre Festival in Cleveland, Shakespeare Festival of St. Louis, City Theatre in Pittsburgh, Virginia Stage Company, Olney Theatre Centre in DC; among others Chris has been nominated in the Outstanding Scenic Design category twice for the Barrymore Awards in Philadelphia and twice for the Kevin Kline Awards in St. Louis, which he won in 2005.
Hailing from East Tennessee, Jason Ammons is an award winning Scenic Designer working in theatre and television. He has a Bachelor of Arts in Art and Cultural Anthropology with emphasis in Printmaking, Media Art, and Art History. He received an MFA in Theatre from the University of Tennessee with emphasis in Scenic Design.
Allison Bucher is from New Orleans, Louisiana. She is a second year MFA Candidate in Sound and Digital Media Design at the University of Tennessee, Knoxville. She has previously earned a BFA in Theatre: Design and Technology from the University of Southern Mississippi. Recent Sound Design Credits include The Giver and Men on Boats at the Clarence Brown Theatre, A Case for the Existence of God and Fun Home at River and Rail Theatre Co. More of her work can be found at www.allisonbucher.com
Magdalen Zinky is a theatre maker and writer based in Greeneville, TN. Recent theatrical productions include directing the world premiere of Corners with the Greeneville Theatre Guild; 8th Annual Women’s Retreat, a solo show featured in the 2021 59E59 East to Edinburgh Festival; and The Limit of the Tongue, which she wrote, directed, and produced with the Daughters Collective in Brooklyn, NY. She is a founding member of The Junkyard, an experimental theatre company. Her writing has been published in Plane Tree Journal, Ariel Chart, Knack Magazine, and elsewhere. In her spare time, she hosts hosts the podcast The 24 Hour Woman and moonlights as a farmer-florist with The Flower Girl TN.
Brianna Officer (better known as Foxy in the hair world ) has been in the industry for 11 years and specializes in customized hair cutting and hair styling. Originally from Lebanon, TN, Foxy moved to Knoxville in 2006 to attend the University of TN to study Africana Studies and Economics. Immediately after, she enrolled at the Douglas J Aveda Institute and was part of the inaugural class . Over her 11 year career she has had the opportunity to expand her career in Los Angeles and grow clientele in the cities of Los Angeles, CA and Nashville, TN. She has been part of NYFW for Christian Cowan in 2022 with the Wella Company as well as for Rihanna’s SavageXFenty Fashion Show Volumes 3 and 4 and the first ever runway show at the Hollywood Bowl for the clothing brand Fear of God . Foxy enjoys splitting time between salon appointments and freelance projects to create a balance that always keeps her inspired.
Keeley is excited to be returning to River & Rail for her seventh show overall and her first show as a dramaturg. A junior at the University of Tennessee studying history and theatre, Keeley is passionate about the intersections between the arts and the humanities. She is particularly interested in the history of rights and citizenship in the post-Bellum United States, so she is honored to have worked on this show. Born and raised in Knoxville, Keeley has enjoyed researching this significant moment in Tennessee history, and is especially grateful to have so many primary sources, archives, and academic institutions at her disposal. She is indebted to her father for introducing her to history, her sister for introducing her to theatre, and her mother for everything. Some of her previous work at River & Rail includes stage managing Passover and Sweat and costume designing The Little Prince and The Mountaintop.
From Chris: I’m Chris Alley of Alleyway Studios. I shoot photo and video. I started shooting in the early ‘80 after my dad bought me a slr for Christmas. I’ve been shooting ever since. I have a BA and MCM in music but photography has always been my passion. I really thrive when combining visual and musical arts.
Joshua Peterson is a Texas transplant via Paris and New York but is now proud to claim Knoxville as his home. Prior to moving to Knoxville, Joshua served as the Artistic Director of Firebone Theatre Company in New York City. Joshua received his MFA in Acting from Southern Methodist University in Dallas. He also holds a BA in Theatre from Oklahoma Baptist University. Between pursuing his degrees Joshua spent two years living and working for a humanitarian aid organization outside of Paris, France. He made his Knoxville acting debut in Clarence Brown Theatre's A Christmas Carol. Other Selected Regional Acting credits include Measure for Measure and Much Ado About Nothing (Lake Tahoe Shakespeare Festival), Barry Love in House and Garden (Theatre Three), Gail in Our Lady of 121st Street (Kitchen Dog Theatre) and Jon in Tape (Dallas Theatre Center.)
Kenneth Herring grew up in Oak Ridge, TN, just 25 miles from downtown Knoxville. Kenneth holds a BA in Communications for the University of Tennessee at Chattanooga and a Masters in Business Administration from Bethel University. Kenneth has a non-traditional theatre background, having spent the 10 years working in Information Technology sales. Kenneth is a former member of the Hammer Ensemble, which performed at Knoxville's Flying Anvil Theatre. Kenneth is passionate about content creation and creating inclusive environments. Kenneth enjoys basketball and spending time with his son, Rayne.
Emily is an actor, director, movement coach, and producer who trained at Ecole Internationale de Théâtre Jacques Lecoq in Paris (2017-2018). She graduated from SMU Meadows School of the Arts with Founder & Artistic Director Joshua Peterson and Founding member Amelia Peterson. Emily is the co-founder & Artistic Director of the ensemble theatre company Fair Assembly where she has appeared as Juliet in Romeo and Juliet and Lady Macbeth in Macbeth, and will appear as Celia Summer 2023 in As You Like It. She is an affiliated artist with Teatro Dallas, and has worked extensively as a movement director in devised theatre with Cry Havoc Theater Company. Emily has taught at Booker T. Washington High School for the Performing and Visual Arts, Cistercian Preparatory School, and the University of Nebraska-Lincoln. Previous staff positions include Teatro Dallas (Associate Artistic Director), Flatwater Shakespeare Company (Associate Director) and Theatre for a New Audience (Associate to the Artistic/Managing Directors). Before relocating to Knoxville next Spring, Emily and Fair Assembly will host Manifesto Poetico's first Open Laboratory Series in the United States. Other upcoming projects include a collaboration with Emily Bernet and Los Escultores del Aire / Physical Theater (Barcelona, Summer 2023), and directing Fiddler on the Roof for the University of North Texas (Spring 2024).
Afton Howard is River and Rail’s Operations and Marketing Intern and a dean’s list student at the University of Tennessee’s College of Music. Afton is currently pursuing a B.M. in Music Education and is involved with UT’s choir program. She is a Knoxville native and a Central High School alumni. Her theater history is dominated mostly by performance; most recently, Afton has had the pleasure of portraying roles such as Éponine Thénardier in Les Misérables, and Ms. Darbus in High School Musical. She will be appearing in Tennessee Valley Player's production of 9 to 5 this summer! Afton heavily values the power of theater and music and hopes to reach more people to share the power of theater with the community.
Harrison Boyd
David Brown
Tyler Hays
Kenneth Herring
Joshua Peterson
Deaver Shattuck
Katy Wolfe
FOUNDING BOARD EMERITUS
Logan Mahan
Amelia Peterson
Founding Artistic Director — Joshua Peterson
Assoc. Artistic Director, Marketing Director — Emily Ernst
Executive Director — Kenneth Herring
Technical Director — Scott Baron
River & Rail Intern — Afton Howard
When you look at the demographics of Knoxville, the people that live on the river and the people that live near the railroad experience Knoxville from vastly different perspectives. Our neighborhoods, churches, community groups, and social circles seem deeply divided along various lines. Some are the literal lines of the Tennessee River or the tracks of the railroad, and some are metaphorical, like the lines between races, religions, and ethnic groups or the cultural lines between east, west, north, and south Knoxville. The goal of River & Rail Theatre is to not just create professional theatre accessible to all Knoxvillians, but to create theatre true to the stories of Knoxville, shared collectively by those on every side of every line.
If you share this vision of Knoxville with us, if you can see it too – a packed house at the Old City Performing Arts Center, full of people who don’t look, smell, hear, see, walk, and talk the same way yet who share in the same deep, beautiful humanity; then we invite you to help us make that happen. Your contributions enable us to pay our staff, artists and team members living, professional wages; they allow us to offer pay-what-you-wish tickets, so that people can attend our performances for as little as three dollars; they cover the cost of professional lighting and sound equipment, costumes and sets, because we want to make work that holds itself to a national professional standard, that pushes the limits of what Knoxville can do. Every dollar is tax-deductible, and every penny makes a difference. Consider making your mark on this city with us.
Interested in supporting the work of River & Rail Theatre Company? Click the button below to make a one-time or recurring donation. We are so grateful for your support!
River & Rail Theatre Company is an IRS-approved 501(c)(3) nonprofit organization.
“This project [is being] [was] supported in whole or in part, by federal award number 21.027 awarded to the City of Knoxville by the U.S. Department of the Treasury and the Arts & Culture Alliance.”