Time
now, right now
but also 1855
but also 13th century BCE
Place
a ghetto street
but also a plantation
but also Egypt, a city built by slaves
“… it has always seemed much easier to murder than to change.”
— James Baldwin
Pass Over will be performed without an intermission. The show runs approximately 85 minutes.
Content Warning: Please be aware that Pass Over uses frequent and extreme profanity and the sound of gunshots is used in the production.
Moses – Ryan F. Johnson*
Kitch – Davion T. Brown
Mister / Ossifer – Danny Skinner*
Understudies
For Moses – Kenneth Herring
For Mister / Ossifer – Chris McCreary
Understudies never substitute for listed performers unless a specific announcement is made at the time of appearance.
*The Actor appears through the courtesy of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
Director – Geovonday Jones*
Production Manager, Intimacy Consultant* – Sarah Lacy Hamilton
Associate Director, COVID Safety Manager, Sound Designer* – Chris McCreary
Scenic and Lighting Designer – Kaylin Gess
Costume Designer – Marcus Hall of Marc Nelson Denim
Props Designer – Leigh Shields
Co-Stage Managers – Keeley Wade and Raiven Wright
Fight Choreographer – Davion T. Brown
Community Engagement Coordinator – Joe Tolbert
Marketing Specialist – Damon Rawls of The Innovation Digital Agency
Sound Board Operator – Jaleria Rivera
Scenic Construction Crew and Electrics Crew – Emily Adams, Ley Beaver, Bailey Braden, Cearan Jax, KC Jones, Kass Parish, DJ Pike, Jawan Qura, William Spooner, Wil Waring, DJ Washington
*Director-choreographer is an associate member of the Stage Directors and Choreographers Society, a national theatrical labor union.
Pass Over is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com
Enkeshi Al-Amin
Kathy Bentley
The Bottom
Clarence Brown Theatre Props and Costume Departments
Matthew DeBardelaben
Christy Fogarty
Claude Hardy
Chuck Harper
Robert Jenkins
David and Travetta Johnson
Molly King
Charles Miller
Jon Mohrman
Ty Murray
Blake Pavlis
Pellissippi State Community College Theatre Department
Casey Sams
Christie Shields
Southern Illinois University Edwardsville’s Department of Theatre and Dance
Donya Walker
Ivy Washington
Davion is a third-year grad student in pursuit of his MFA in Acting at the University of Tennessee/Knoxville. Before joining the UTK roster, Davion spent three years as a freelance Actor touring the country. Davion has been cast in a cornucopia of productions, and has held an assortment of iconic roles throughout his career thus far. Including: in Hamlet (as Hamlet), in Macbeth (as Macbeth), and in No Exit (as Joseph Garcin), just to name a few. This is Davion's first time working with River & Rail Theatre Company, and he is very honoured to be a part of their production of Pass Over. Additionally, Davion expresses his excitement to be back performing again after such an unprecedented time, especially with such a powerful piece. Lastly, Davion would like to take this time to thank You for continuing to support the Arts and her Artists.
Ryan is a native of Detroit, Michigan. After gaining a BFA from Southern Methodist University and a MA in Educational Theater from New York University, Ryan made a name for himself in the New York theater community as well as in art education for young adults. Through Ryan’s dramatic performances, he gained a coveted lifetime membership with The Actor’s Studio. Ryan is most known for his work with Lincoln Center Theater, Atlantic Theater Company, and starring roles in Our Lady of 121st Street, and Last Days of Judas Iscariot.
Broadway: Patrick Star in SpongeBob SquarePants: The Broadway Musical (Palace Theater), Original Cast Recording available from Sony Masterworks. Regional: SpongeBob SquarePants: The Broadway Musical (Chicago), Pluck the Day (Inaugural Araca Project Selection). TV: The SpongeBob Musical: Live on Stage! (Nickelodeon and streaming on Paramount+), Nickelodeon Kids’ Choice Awards 2019, “The SpongeBob SquarePants Birthday Special”, and performances on ABC’s “Good Morning America”, NBC’s “The Today Show”, CBS “Sunday Morning”, and “The Macy’s Thanksgiving Day Parade”. BFA Syracuse University. Go Orange! Proud member of AEA and SAG-AFTRA. Special thanks to Chris and Sarah.
Antoinette is a New York-based writer for stage, film, and television. Her play Pass Over made its New York debut at LCT3/Lincoln Center in 2018. A filmed version of the Jeff Award-winning Steppenwolf production—directed by Spike Lee— premiered at the 2018 Sundance Film Festival and at SXSW, and is currently streaming on Amazon Prime. Victory Gardens produced the World Premiere of her play Breach: a manifesto on race in america through the eyes of a black girl recovering from self-hate in February of 2018. Antoinette is a MacDowell Fellow, a Dramatists Guild Fellow, an Ars Nova Play Group alum, and a Eugene O’Neill Playwrights Conference Literary Fellow. Honors include a Lilly Award (2020); a Lucille Lortel Award (2019); the Whiting Award (2018); the Paula Vogel Playwriting Award (2017); the Lorraine Hansberry Playwriting Award (2008); the Negro Ensemble Company’s Douglas Turner Ward Prize (2008), and spots on the 2016 and 2017 Kilroys lists. Her work has been supported by the Sundance Theater Lab, Space on Ryder Farm, Ignition Fest, the Cherry Lane Mentor Project, the Kennedy Center, Page73, PlayPenn, Southern Rep, The Flea, Naked Angels, Fire This Time and The Movement Theater Company. Antoinette has a bachelor’s degree in English, magna cum laude, from Harvard College; an MSc from The University of Edinburgh; and an MFA from NYU Tisch. Antoinette is a writer on the second season of Spike Lee’s She’s Gotta Have It for Netflix, and will premiere her play Tuvalu, or The Saddest Song at the Vineyard Theater in New York City once the theater is allowed to reopen.
Geovonday most recently directed The High Captain at The Tank, The Motherfucker with the Hat, The Importance of Being Earnest and In the Blood. Currently, Geo is an Assistant Professor of Acting at Southern Illinois University Edwardsville. Previously, he was on the faculty at The People’s Improv Theater, and the adjunct faculties in Brooklyn College's Department of Theater and The City College of New York’s Department of Theatre and Speech, where he developed the popular course entitled Theatre and Racism. He is a member of AEA, SAG-AFTRA, and an Associate Member of SDC. Additionally, he is a freelance Implicit Bias & Anti-Racism consultant. He has an MFA in Acting from Brooklyn College and a BFA in Acting from Missouri State University. www.geovondayjones.com
Kenneth grew up in Oak Ridge, TN, just 25 miles from downtown Knoxville. Kenneth holds a BA in Communications from the University of Tennessee at Chattanooga and a Masters in Business Administration from Bethel University. Kenneth has a non-traditional theatre background, having spent the 10 years working in Information Technology sales. Kenneth is a former member of the Hammer Ensemble, which performed at Knoxville's Flying Anvil Theatre. Kenneth is passionate about content creation and creating inclusive environments. Kenneth enjoys basketball and spending time with his son, Rayne.
Chris is an artist who has worked throughout the United States including Los Angeles, Dallas, New York City, Iowa City, and Knoxville. Through multiple mediums including acting, directing, writing, and painting his work focuses on being of service through story. Chris holds an MFA in Directing from Brooklyn College; as well as a BFA in Theatre Studies from Southern Methodist University in Dallas, TX. While working in Dallas the theatre company he co-founded House Party Theatre won "Best New Theatre Company 2015". He is a graduate of the Upright Citizens Brigade in Los Angeles ('14). He received the 2011 Garland Wright Award for Directing from SMU.
Sarah Lacy Hamilton (Production Manager, Intimacy Consultant) is a director and producer specializing in actor-driven productions of new and contemporary plays that foreground the human condition and highlight the experiences of underrepresented communities. Past directing credits include PALANQUIN, Sweat, Blackberry: A Burial, HIR, and Nothing But Days at UI; Dry Land at Upstart Productions; and Gruesome Playground Injuries, Julius Caesar, and True West with House Party Theatre. She will direct the Knoxville premiere of In the Next Room or the vibrator play at R&R in the spring of 2022. MFA, University of Iowa. BFA, Southern Methodist University. Associate Member, Stage Directors and Choreographers Society.
Kaylin Gess (Scenic and Lighting Designer) is a 2nd year MFA candidate in Lighting Design at the University of Tennessee-Knoxville. This is her first show with River & Rail, and she is so excited to be here! Gess was previously a Charlotte-based Lighting Designer, Scenic Designer, and Scenic Painter who worked as the Assistant Technical Director at Davidson College, her alma mater from 2017-2020. Professional design credits include: Actor’s Theatre of Charlotte, Jobsite Theatre, Hat Trick Theatre, Patel Conservatory, M.A.D. Theatre of Tampa, and Davidson College. Kaylin holds a B.A. in Theatre from Davidson College.
Marcus Hall of Marc Nelson Denim (Costume Designer) was born june 1st 1970. Home town of Knoxville,Tennessee. Taught to sew by his mother and vocational program at Austin East. Graduated Central High School in 1989. Obtained Barber license from The Knoxville Institute of Hair design in 1991. Owned and operated a salon for 13 years in the East Knoxville community. Started Marc Nelson denim in November 2011. Has 2 beautiful daughters Kharma 18 and Indigo 4. He’s always had a passion for helping people look and be their best and wants to use that same passion in helping the actors and director of Pass Over to express and share their vision and message.
Leigh Shields (Props Designer) is a second-year undergraduate student at the University of Tennessee studying Cinema Studies and Theatre with a concentration in Acting. She has been involved in theatre since she was nine years old and has performed in thirteen productions. She would not be here without the help of the incredible people at Knoxville Children’s Theatre.
Keeley Wade (Co-Stage Manager) is excited to be working on her second show with River & Rail. She is currently studying history and theatre at the University of Tennessee, Knoxville. She’d like to thank her sister for introducing her to theatre.
Raiven Wright (Co-Stage Manager) is excited to be part of her first production with River & Rail Theatre Company. She holds a BFA in Theatre Administration from Howard University. Some of her favorite past production credits include A Midsummer Night’s Dream and Antigone.
Joe Tolbert Jr. (Community Engagement Coordinator) is a minister, art critic, and the founder and lead cultural strategist of Art at the Intersections. He received his B.S. in Communications from the University of Tennessee, Knoxville and completed his M.Div. in Social Ethics from Union Theological Seminary in the City of New York. Joe is a sought after facilitator and cultural strategist that works with communities and institutions to help them harness the power of art and culture through the building, implementation and evaluation of cultural strategies. His work has been supported by fellowships from National Art Strategies Creative Communities Fellowship and the Intercultural Leadership Institute. As a writer, he has contributed articles and book chapters Applied Theater with Youth, Alternate Roots, Arts.Black, and Quiet Lunch, among others.
Damon Rawls (Marketing Specialist) is the Founder of The Innovation Digital Agency. Innovation Digital is in the business of marketing through the various social media channels to drive web traffic, engage an audience, run social campaigns, and contribute unique content to a follower base. We are committed to influencing optimal revenue growth while exceeding our client’s expectations. We are a group of passionate marketers, committed to the success of our clients.
Jaleria Rivera (Sound Board Operator) is proud to experience her first production with River & Rail Theatre Company. As a later-bloomed dancer with a professional background in sales marketing, her unconventional artistic path supplies a unique perspective to any project. To friends and family, she’s known as a passionate Amateur, who’s unafraid to dive into an activity with the utmost curiosity and enjoyment. Jaleria’s primary source of fulfillment derives from movement, where she dutifully practiced for a year in oriental, waving, and heels. Collaboration and vulnerability influences her work, and she’s thrilled to continue her artistic journey into the theatre.
Misty Anderson
David Brown
Tyler Hays
Logan Mahan
Tommy Nguyen
Amelia Peterson
Joshua Peterson
Deaver Shattuck
Genevieve Turner
Katy Wolfe, President
Founding Artistic Director – Joshua Peterson
Managing Director – Kenneth Herring
Artistic Producer & Director of Development – Sarah Lacy Hamilton
Associate Artistic Director, Special Projects & Educational Programs – Chris McCreary
Literary Manager & Director of New Play Development – Amelia Peterson
Community Engagement Director – Logan Mahan
When you look at the demographics of Knoxville, the people that live on the river and the people that live near the railroad experience Knoxville from vastly different perspectives. Our neighborhoods, churches, community groups, and social circles seem deeply divided along various lines. Some are the literal lines of the Tennessee River or the tracks of the railroad, and some are metaphorical, like the lines between races, religions, and ethnic groups or the cultural lines between east, west, north, and south Knoxville. The goal of River & Rail Theatre is to not just create professional theatre accessible to all Knoxvillians, but to create theatre true to the stories of Knoxville, shared collectively by those on every side of every line.
If you share this vision of Knoxville with us, if you can see it too – a packed house at the Old City Performing Arts Center, full of people who don’t look, smell, hear, see, walk, and talk the same way yet who share in the same deep, beautiful humanity; then we invite you to help us make that happen. Your contributions enable us to pay our staff, artists and team members living, professional wages; they allow us to offer pay-what-you-wish tickets, so that people can attend our performances for as little as three dollars; they cover the cost of professional lighting and sound equipment, costumes and sets, because we want to make work that holds itself to a national professional standard, that pushes the limits of what Knoxville can do. Every dollar is tax-deductible, and every penny makes a difference. Consider making your mark on this city with us.
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River & Rail Theatre Company is an IRS-approved 501(c)(3) nonprofit organization.