OUR TOWN © 1938, 1957 The Wilder Family LLC
Copyright agent: Alan Brodie Representation Ltd
www.alanbrodie.com
We would like to begin
by acknowledging that the land
on which we gather is the unceded territory
of the Yuchi and Cherokee People.
We offer our gratitude for the land itself,
and the Indigenous people that
stewarded it for generations.River & Rail Theatre Co.
Does anyone ever realize life while they live it…every, every minute?
Our Town is a Pulitzer-winning play written by Thornton Wilder in 1938. Often thought of as one of the greatest American plays of the 20th century, Our Town is about the beauty of small town life in turn-of-the-century rural New Hampshire.
Drew Drake — Stage Manager
Ella Trisler — Emily Webb
Brady Moldrup — George Gibbs
Amber Collins Crane — Mrs Webb
Jan Willis — Mrs Gibbs
Robert Paterno — Mr Webb
Steve Moldrup — Dr Gibbs
Jasmine R. Handy — Constable Warren / Joe Stoddard
Brady Craddock — Howie Newsome / Sam Craig
Matt Stanley — Simon Stimson / Choir Captain
Kisha Rockett — Mrs Soames / Professor Willard
Golden Littlejohn — Si Crowell / Joe Crowell
Eli Peterson — Wally Webb
Penny Peterson — Rebecca Gibbs
Katie Moon — Ensemble / Emily Understudy
Ephraim Sorrell — Ensemble / George Understudy
Annika Kallstrom — Ensemble / Mrs Soames Understudy
Lily Segars — Ensemble / Swing
Eric Sorrels — Composer
Adam Whipple — Band Lead
Amy Porter — Piano, Vocals
Crystal Dougan — Vocals, Acoustic
Colton Kirby — Bass
Cole Liles — Drums, Acoustic
J. Miller — Drums, Acoustic
Michael Dodge — Fiddle
Joshua Peterson — Director / Founding Artistic Director
Amelia Peterson — Assistant Director / Fight & Intimacy Coordinator
Emily Hutton — Stage Manager
Druig Allen — Assistant Stage Manager
Erica Zacharias — Child Wrangler / Assistant Stage Manager
Emily Ernst — Associate Artistic Director / Line Producer
Christopher Pickart — Scenic Designer / Props Designer
Scott Baron — Technical Director / Sound Designer
Jason Boardman — Sound Engineer
Skye Reid — Assistant Technical Director
Meg Zinky — Costume Designer
Angelyn Baer — Lighting Designer
Kenneth Herring — Executive Director
Afton Howard — Administrative Assistant
Less than three months after moving to Knoxville from NYC in 2014, I lost my dad unexpectedly. He was 59. I was sitting on my bed eating something and watching the Ken Burns Civil War documentary when I got the call. It’s funny the things you remember looking back. I glanced down to see my dad’s name on the caller ID and picked up.
“Hey Dad.”
“Joshua, it’s Diane.” My stepmother.
“Joshua, we came to check on your dad because we hadn’t heard from him in a couple days. He’s deceased.”
“He’s deceased.” Who says it like that? In the week that followed, I told my wife that I kept replaying my stepmother’s words in my mind; I couldn’t stop hearing her say it actually. My wife said maybe because that was the exact moment I lost him. There was a world with my dad in it, and there was a world without him. That was the moment I went from one world into the terrible other.
We founded River & Rail that year; in no small response to his passing. As I grieved, I felt strongly that I wanted to move quickly toward doing the things I wanted to do with my life. It was urgent, this need to create. Somewhat by accident, after my Dad died, I read OUR TOWN alone one afternoon. It hit me like a punch in the gut. I had read it before, as a student – OUR TOWN is a standard text in most theatre programs – but I wasn’t really ready to understand the depths of this show’s beauty, its simplicity, until I’d experienced the loss of my father. When you lose something big – a family member, a home, a close friend – you don’t miss the milestones or the dramatic moments with them, you miss the small ones, the everyday ones. OUR TOWN is a play about those everyday moments, it aches with them.
To say this show is a favorite of mine is understatement. I’ve been waiting to produce it here in Knoxville for 10 years, and as River & Rail is about to make a big transition, I felt it was the right time.
At River & Rail, we purpose to share urgent, relevant, entertaining & provocative stories with our community. A younger me might have said OUR TOWN doesn’t fit into that description, but younger me wasn’t paying close enough attention.
I challenge anyone to find a more universally urgent and provocative story than OUR TOWN, because it’s the story of all of our lives. It asks the questions everyone one of us asks at some point. And it does so more brutally & honestly, than, maybe, any American play I know.
I hope you find in our production of OUR TOWN what I found reading the play with fresh eyes ten years ago. I hope you find permission to grieve what needs to be grieved while remaining hopeful about the purpose and meaning that lies ahead. I hope today’s performance provides you with a moment to pause and breathe and acknowledge the everyday magic & mystery that is all of our lives.
1897 — Born in Madison, Wisconsin (April 17)
1906 — Moves to Hong Kong in May and to Berkeley, California in October
1906-10 — Emerson Public School in Berkeley
1910-11 — China Inland Mission School, Chefoo, China (one year)
1912-13 — Thacher School, Ojai, CA (one year). First play known to be produced: The Russian Princess
1915 — Graduates from Berkeley High School; active in school dramatics
1915-17 — Oberlin College; published regularly
1920 — B.A. Yale College (3-month service in 1918 with U.S. Army in 1918); many publications
1920-21 — American Academy in Rome (8-month residency)
1920s — French teacher at Lawrenceville School, Lawrenceville, New Jersey (’21-’25 & ’27-’28)
1924 — First visit to the MacDowell Colony, Peterborough, New Hampshire
1926 — M.A. in French literature, Princeton University
The Trumpet Shall Sound produced off-Broadway (American Laboratory Theatre)
The Cabala (first novel)
1927 — The Bridge of San Luis Rey (novel- Pulitzer Prize)
1928 — The Angel That Troubled The Waters (first published collection of drama—playlets)
1930s — Part-time faculty, University of Chicago (comparative literature and composition); lectures
across the country;
first Hollywood screen-writing assignment (1934); extensive foreign travel
1930 — The Woman of Andros (novel)
Completion of home for his family and himself in Hamden, Connecticut
1931 — The Long Christmas Dinner and Other Plays (six one-act plays)
1932 — Lucrece opens on Broadway staring Katharine Cornell (translation of André Obey’s Le Viol de
Lucrèce)
1935 — Heaven’s My Destination (novel)
1937 — A Doll’s House (adaptation/ trans.) opens on Broadway with Ruth Gordon
1938 — Our Town (Pulitzer Prize) and The Merchant of Yonkers open on Broadway
1942 — The Skin of Our Teeth opens on Broadway (Pulitzer Prize)
Screenplay for Alfred Hitchcock’s The Shadow of a Doubt
1942-45 — Service with Army Air Force in North Africa and Italy (Lieut. Col. at discharge – Bronze Star
and O.B.E.)
1948 — The Ides of March (novel); performing in his plays in summer stock in this period
The Victors opens off-Broadway (translation of Sartre’s Morts sans sépulture)
1949 — Major role in Goethe Convocation in Aspen; lectures widely.
1951-52 — Charles Eliot Norton Professor of Poetry at Harvard
1952 — Gold Medal for Fiction, American Academy of Arts and Letters
1953 — Cover of Time Magazine (January 12)
1955 — The Matchmaker opens on Broadway staring Ruth Gordon
The Alcestiad produced at Edinburgh Festival with Irene Worth (as A Life in the Sun)
1957 — German Peace Prize
1961 — Libretto for The Long Christmas Dinner (music by Paul Hindemith—premieres in Mannheim,
West Germany)
1962 — “Plays for Bleecker Street” (Someone from Assisi, Infancy, and Childhood) premiere at NYC’s
Circle in the Square
Libretto for The Alcestiad (music by Louise Talma—premieres in Frankfurt, West Germany)
1963 — Presidential Medal of Freedom
1964 — Hello, Dolly! starring Carol Channing opens on Broadway
1965 — National Book Committee’s Medal for Literature
1967 — The Eighth Day (National Book Award for Fiction)
1973 — Theophilus North (novel)
1975 — Dies in sleep in Hamden, CT on December 7. Buried at Mt. Carmel Cemetery, Hamden,
Connecticut
For more information visit www.thorntonwilder.com and www.thorntonwildersociety.org.
Special thanks to Jen Moon for helping to bring this production to life.
Special thanks to Ross Earl and the L&N STEM Academy’s Choral Program for their help on this production.
Lighting equipment provided in part by the generosity The Greeneville Theatre Guild
***
Sound Sources Provided by Joe Payne
The Chairs at the Old City PAC were donated to River & Rail by the Angel Capital Group in memory of Sam McCamy.
Drew Drake is an Actor, Poet, Hip Hop Artist and Educator from Huntsville Alabama but currently residing in Knoxville Tennessee ; focused on creating art that facilitates healthy dialogue for people of color. Drew was last seen performing on TV in Roles such as “Lamar Cordell” in Law and Order Season 22 and stages such as Bonnaroo Music Festival, Barclays Center and Brooklyn Academy of Music production “Word. Sound. Power and in March Off Broadway at National Black Theatre’s Production “ Packages, O The Things We Deliver”. Drew is currently the Artist In Residence at The University Of Tennessee. Drew’s served as a Professor at New York University; teaching Voice and Speech at Tisch School of the Arts, as well as teaching African American Theatre at Medgar Evers College. Learn more at www.thedrewdrake.com
Ella Trisler is so excited to be working with River and Rail again, and she is honored to help tell this beautiful story. Recent roles include Ensemble in the world premiere run of The Burn Vote (River and Rail Theatre) and Emilie Vandergaard in The Moors (Clarence Brown Theatre). Her community theatre credits include Mayella Ewell in To Kill a Mockingbird and Louisa von Trapp in The Sound of Music (Oak Ridge Playhouse). Last summer, Ella attended the Atlantic Acting School’s Summer Intensive (NYC) where she studied the principles of Practical Aesthetics. She graduated with a Bachelor of Arts in Theatre from the University of Tennessee, Knoxville in May of this year.
A Knoxville native and UT alum with some Off-Broadway and NYC credits, he's pumped to be back at River & Rail in this great city. His second favorite movie is Hook, third favorite tv show is Jeopardy, and first favorite candy is Sour S'ghetti. BradyMoldrup.com.
Amber Collins Crane was most recently seen as Frankie in "Frankie and Johnny in the Clair de Lune," (Wild Moon Theatre Collective/ Ross Valley Players). River and Rail Theatre credits include Mary Bailey in “It’s A Wonderful Life: A Live Radio Play,” “White Rabbit/Red Rabbit,” Soccer Mom in "The Wolves," Snake in "The Little Prince,” and Jessie in “Sweat." A selection of favorite San Francisco/Bay Area theatre credits include Blanche in "Streetcar Named Desire,” (NTC), Moll in “Incidents in the Wicked Life of Moll Flanders,” Birdie in "Little Foxes" (Tides Theatre), Becca in "Rabbit Hole" and Agnes in "Bug" (Breach Once More). Amber has worked in film and television in Los Angeles and NYC and has established an on-line and in-person acting studio for teens and young adults (theseenspace.com). Amber is grateful to have another opportunity to collaborate with River and Rail Theatre and to participate in their meaningful contribution to this community.
This is Jan Willis’ second production with River and Rail. She was last seen as Tracey in River and Rail’s production of Lynn Nottage’s Sweat. Jan is a first grade teacher, with former endeavors as a flight attendant, Pilates instructor, dancer, nursing assistant, lifeguard, and general malcontent. You may have seen her play at the Cumberland County Playhouse, the Clarence Brown Theater, the CBT Lab Theater, Oak Ridge Playhouse, and Tennessee Valley Players. She loves her husband of 26 years, Randy and her two grown kids, Jupiter and Sarah. Jan has a special fondness for her ancient hound dog Buster.
Robert Paterno (he/him) is an actor/teaching artist originally from Houston, TX and currently resides on the unceded Tongva/Gabrieleño territory of Los Angeles. TRAINING: BS Marine Biology (Texas A&M University), MFA Acting (Southern Methodist University). Proud SAG AFTRA member. Arts accessibility for all. Representation matters. Thank you Knoxville and River & Rail for welcoming me into your town. For my Dad.
“Moldy” is a father to seven, a grandfather to two, and a husband to one. You may have seen him as Colonel Hugh Pickering in the 1977 production of My Fair Lady at Shawnee Mission West High School. He’s thrilled and honored to be working with River & Rail and alongside his real-life son.
Jasmine R. Handy is thrilled to be in her first show at River & Rail. She has recently graduated from the University of Tennessee with a Bachelor’s Degree in Theatre. Her previous training includes attending the New York Conservatory for Dramatic Arts, Kennesaw State University’s College of the Arts, and the University of Tennessee’s Department of Theatre. Previous credits with the Clarence Brown Theatre include: The Giver (Jonas); The Moors (Marjory/Mallory); Men on Boats (John Wesley Powell); Adaptive Radiation (Olivia); and Blood at the Root (Raylynn). She would like to thank Joshua Peterson for the wonderful opportunity.
Brady Craddock grew up doing community theater productions in his tiny hometown of Union City, Tennessee, where his acting debut as a munchkin in The Wizard of Oz at the local Masquerade Theatre is still talked about to this day. As a child, he also played the role of Joe Crowell in a production of Our Town, so he is thrilled to revisit the play as his first project with River & Rail. After moving to Knoxville in 2017, he attended The University of Tennessee and received his bachelor's degree in theatre. In college, he performed in multiple productions of A Christmas Carol at the Clarence Brown Theatre, as well as The Madwoman of Chaillot, Airness, and First Take Co.’s adaptation of All’s Well That Ends Well. Most recently, he worked with First Take Co. again in their immersive production of The Flick, staged at Central Cinema. When he’s not in the theater, you can find him down the street making coffee at Old City Java.
Matt Stanley is a Knoxville native and recent graduate of The University of Tennessee's College of Music. He grew up performing in shows with Knoxville Children's Theatre, The WordPlayers, and Oak Ridge Playhouse. After taking a five year hiatus from acting to focus on writing stories and composing music, Matt is thrilled to be making his River and Rail debut with Our Town. Matt is a working musician who can be found frequently gigging around Knoxville, and releasing original music under the name Matt Hyland. He would like to extend a massive thank you to the production team, his fellow cast members, and his friends and family for their love and support.
Kisha Rockett, is originally from Milwaukee, WI. She is a devoted wife and proud mother of 3. Kisha's passion for the stage began at an early age and has continued throughout her life. Listed below are some of the amazing theatre companies in Knoxville that Kisha Rockett has had the pleasure of performing with: The Carpetbag Theatre, Clarence Brown Theatre, Bailey Arts, The Word Players and now River & Rail Theatre. Kisha is currently represented by The Stair Agency located in Clinton, TN. Kisha's television credits include Dolly's Magic Mountain Christmas, Fatal Attraction and Payback along with several commercials and print work. Kisha is extremely excited to work with River & Rail and she hopes you enjoy the show as she reveals herself as Mrs. Soames.
He is a 5th grade Honors Program student at Beaumont Magnet Academy (BMA) where is an ambassador and safety patrol. He has received several awards and recognition for his skills and talents at BMA. Golden discovered his love for the stage in 2nd grade at BMA. Golden as participated in 3 plays at BMA, A Christmas Carol (twice) at Clarence Brown Theater, Matilda at Holston Middle School, and Cinderella at Knoxville Children’s Theater. Golden is active in the community and church. Golden was elected by his peers to be Mayor of Junior Achievement’s BizTown, has had artwork to be selected to be on display in the federal courthouse, and is the winner of national Art and Essay contest with One United Bank. He volunteers at the Burlington Food Pantry, Mobile Meals, and Keep Knoxville Beautiful. He enjoys sketching designs and is proud to be a Robloxian (Roblox gamer)! He dreams that his love for theater will land him on Broadway someday.
Eli is a 2nd grader at Beaumont Magnet Academy. This production is his theatrical debut, and he is having a total blast. When Eli grows up, he wants to be an environmentalist and a computer science engineer. Eli wants to thank his dad for being the best dad and "theater man" ever.
Penny Peterson is a 4th Grader at Beaumont Magnet Academy in Knoxville. Her previous credits include Tiny Tim in The Clarence Brown's 2023 and 2022 productions of A CHRISTMAS CAROL and John Bechdel in River & Rail Theatre's 2023 production of FUN HOME. Penny is delighted to be on stage with her brother Eli, and she is having the time of her life! Penny loves to read adventure books and put on plays with her friends. When she grows up she wants to be an actor and a foster mom to lots of animals. She is grateful for all of the people in her life who love her and dream big with her.
Katie Moon is thrilled to return to the River and Rail stage after her portrayal of The Rose in The Little Prince. Currently a Sophomore at West High School (WHS), Katie pursues her passion for the arts through her involvement in the West High Choir and Company West. Her theatrical journey includes performances at Knoxville Children’s Theatre, where she recently played dream roles as Amy in Little Woman and Marianne in Sense and Sensibility. Katie extends her heartfelt gratitude to Joshua Peterson and the entire Our Town cast and crew for an unforgettable experience. She also expresses love and appreciation to her parents, teachers and mentors for their unwavering wisdom and support.
Ephraim Sorrell is a 17 year old senior at Webb School of Knoxville. Ephraim finds love in the art of theatre and has been in over 30 productions. Some of his favorite roles include Edna Turnblad from Hairspray the Musical, Damien Hubbard in Mean Girls the Musical, and The Old Man in A Christmas Story. His most recent role was Benjamin in Oak Ridge Playhouse production of Joseph and the Amazing Technicolor Dreamcoat. He has been awarded many accolades as a CS High School Musical Theatre Finalist and First Place NATS Tennessee/Kentucky MT4. This is his first show at River and Rail Theatre, and he has loved working with such a beautiful cast and is extremely grateful to play the role of Ensemble. He hopes you enjoy the show just as much as he does.
Annika is thrilled to be apart of her first R&R production! Previous credits include Adelaide in Guys and Dolls, Elinor in Sense and Sensibility, Nurse in Romeo and Juliet, and many more. She would like to thank Joshua for this incredible opportunity!
Lily Segars is excited to make her debut with River & Rail. Local credits include Lucy in WordPlayer’s production of The Lion, The Witch; Golem in The Hobbit (Knoxville Children’s Theatre); and Mrs. Dashwood in Sense and Sensibility (KCT). She is currently a junior at West High School and will be appearing in their production of Cinderella.
Eric Sorrels is an actor, singer, music director, arranger, and award-winning songwriter and librettist. His work has been showcased with the Johnny Mercer Songwriter’s Project, Kennedy Center’s Broadway: The Next Generation, and in many of New York City’s cabaret spaces, including Joe’s Pub, 54 Below, and Green Room 42. Originally from Lebanon, Tennessee, Eric received his BA in Theatre from UT Knoxville and an MFA in musical theatre writing from NYU. He also spent 8 years in NYC as a freelance sight singer, and has toured internationally with professional choirs. Here in Raleigh, you may have seen in Theatre Raleigh’s prosecutions of The Great Comet, Jersey Boys, and The Prom, or most recently with NCT’s production of Beautiful. His debut single “Girlypop” was released in the fall of 2023. His musical MAYA, co-written with Cheeyang Ng, will receive a workshop in London next year. @eric_sorrels
Adam Whipple is a Knoxville-based producer, singer-songwriter, musician, and poet. He has worked with River & Rail on The Unusual Tale of Mary & Joseph’s Baby and Fun Home and with The WordPlayers on The Spitfire Grill, Footloose, Bright Star, Fiddler on the Roof, and other productions. He writes regularly for The Rabbit Room, and his poetry and essays have appeared in publications such as Blue Mountain Review, Front Porch Republic, Red Branch Review, and Curator Magazine. Producing and playing alongside artists such as Bill Wolf and Rachel Wilhelm, he continues to release records into the wild. If not otherwise engaged, you will find him on a mountain or in a creek.
Amy is so grateful to return to the River & Rail, where she most recently joined the band for the debut production of “The Burn Vote”. Her 1st production with R&R was their first production, “The Unusual Tale of Mary & Joseph’s Baby.” A singer, pianist, and sometimes a musical director, she has performed both in the band and on stage with several theaters, opera festivals, and orchestras. Once in Knoxville, Amy was a long-term vocal soloist with KEMP, the Knoxville Early Music Project, a music faculty member for Pellissippi State, and for the Knoxville Community School of the Arts. Currently she loves serving as the Worship/Musical Director for The Church of the Redeemer in Blount County, teaching Voice and PIano lessons, and singing with the Amadeus Chamber Ensemble. She is immensely thankful to God for the gift of her family, for Russ and the 4 young adult children who call her mom!
Crystal Dougan is a singer-songwriter based out of Knoxville, TN. She is a vocalist and guitarist for the band Local Lore and leads worship as well at Redeemer Church of Knoxville. During the day she works as a middle school librarian and spends her evenings ubering her two kiddos around town and/or finishing one of the many songs stored in her head (and voice memos). She has plans this fall to start recording some of her own original music.
Lover of plants, food, music, visual arts, etc. Loved by his wife, kid, and cats. Works with his hands, sees with his heart. Will gladly make you a fine cup of coffee. Wants to be a tree when he grows up.
Cole Liles is a multi-instrumentalist, award winning director, and a local real estate agent. While he has collaborated with other professional groups in town, this is his first show with River and Rail. After seeing many great shows at the OCPAC, he's thrilled to be a small part of bringing another one to life. When he's not showing homes or playing an instrument, Cole spends his time at home with his wife, his toddler, and his two inscrutable cats.
J Miller has been playing musical theatre since the age of 14 with his first show at the Oak Ridge Playhouse. Since then, he has performed in countless shows at ORP, the Bijou, Flying Anvil (RIP), Theatre Knoxville Downtown, and the Clarence Brown Theatre, most recently in Kinky Boots. He has also been known to share the stage with local Tony Award winner Levi Kreis. Additionally, he has a long history with some of the more interesting local bands including the Tennessee Kingsnakes, Shaken Babies, the Jank, Y’uns and, these days, Chameleous. When he’s not involved in music he spends his days selling houses, weekends out in the woods with Melony, and generally trying to keep up with his two teenage sons. J is thrilled to be back at River and Rail for Our Town!
Michael Dodge is pleased to perform with the “Our Town” house band. He grew up in Nova Scotia, Canada, often hearing tunes from the “Down East” old time fiddle tradition. As a young adult, he purchased his first fiddle. He was rarely separated from it and could be found practicing in every spare moment. Now approaching 4 decades as a fiddle player, his style has evolved from influences of Scottish and Irish music, and inspired by such Cape Breton performers as Natalie MacMaster, the Rankin Family, Còig, and Beòlach. After moving to TN some 26 years ago, Michael was delighted to discover a vibrant community of Scots/Irish musicians in Knoxville. Welcomed into the Irish session at (the former) Patrick Sullivan’s, he formed lasting friendships that opened opportunities to help build the Knoxville Scottish Music Club, The Good Thymes Ceilidh band, and the current Scottish music session at Boyd’s Jig and Reel. Nearly 10 years ago, Michael earned his Fine Arts degree at Pellissippi State with a focus on Music Theory. He studied classical violin with Robyn James and performed with the Pellissippi Bluegrass Ensemble directed by Larry Vincent. Michael is also a sales associate of Rush’s Music in west Knoxville, where he encounters many up-and-coming musicians. He resides in Norris, TN with the love of his life, Mary, and two beautiful grandchildren.
Thornton Wilder (1897-1975) was a novelist and playwright whose works celebrate the connection between the commonplace and the cosmic dimensions of human experience. He is the only writer to win Pulitzer Prizes for both drama and fiction: for his novel The Bridge of San Luis Rey, and two plays, Our Town and The Skin of Our Teeth. His other nov¬els include The Cabala, The Woman of Andros, Heaven’s My Destination, The Ides of March, The Eighth Day and Theophilus North. His other major dramas include The Matchmaker (adapted as the musical Hello, Dolly!) and The Alcestiad. The Happy Journey to Trenton and Camden, Pullman Car Hiawatha and The Long Christmas Dinner are among his well-known shorter plays. He enjoyed enormous success as a translator, adaptor, actor, librettist and lecturer/teacher and his screenplay for Alfred Hitchcock's Shadow of a Doubt remains a classic psycho-thriller to this day. Wilder’s many honors include the Gold Medal for Fiction from the American Academy of Arts and Letters and the Presidential Medal of Freedom. More information on Thornton Wilder and his family is available in Penelope Niven’s definitive biography, Thornton Wilder: A Life (2013) as well as on the Wilder Family website, www.thorntonwilder.com
Joshua Peterson is a Texas transplant via Paris and New York but is now proud to claim Knoxville as his home. Prior to moving to Knoxville, Joshua served as the Artistic Director of Firebone Theatre Company in New York City. Joshua received his MFA in Acting from Southern Methodist University in Dallas. He also holds a BA in Theatre from Oklahoma Baptist University. Between pursuing his degrees Joshua spent two years living and working for a humanitarian aid organization outside of Paris, France. He made his Knoxville acting debut in Clarence Brown Theatre's A Christmas Carol. Other Selected Regional Acting credits include Measure for Measure and Much Ado About Nothing (Lake Tahoe Shakespeare Festival), Barry Love in House and Garden (Theatre Three), Gail in Our Lady of 121st Street (Kitchen Dog Theatre) and Jon in Tape (Dallas Theatre Center.)
Amelia Peterson (Associate Director) is a visual storyteller drawn to playful movement, rich text, and story-driven narratives. Local directing credits include: FIDDLER ON THE ROOF (Associate Director, The Word Players - 2024), THE BURN VOTE (River & Rail Theatre - 2024), A CHRISTMAS CAROL (Clarence Brown Theatre - 2022), EVERY BRILLIANT THING (River & Rail Theatre Co. - 2017), and THE UNUSUAL TALE OF MARY & JOSEPH'S BABY (River & Rail Theatre Co. - 2016, 2017, 2018). New York City: LONG, LONG AGO (Firebone Theatre Company - 2013); THE IMPORTANCE OF BEING EARNEST (The King’s College - 2013); MORBID POETRY (Incubator Arts Project - 2012); APT 3E Director’s Lab Series with Molly Beach Murphy (2011 - 2013). Washington, D.C.: Kennedy Center’s Page to Stage Festival; Inkwell Theatre’s Showcase Reading Series. Los Angeles: Invited guest performance of LOCUST at the CalArts “Arts in the One World Conference” led by Erik Ehn (2008). International: THE HOLY O (DC Fringe Festival, Omaha Fringe Festival, Vancouver Fringe Festival - 2023). Film credits include: GHOSTLIGHT (co-director), and WHIPPOORWILL (screenwriter). Amelia received a Bachelors of Fine Arts in Theatre Studies at Southern Methodist University where she studied directing under Stan Wojewodski and movement under Bill Lengfelder. Amelia resides in Knoxville, Tennessee where she is a co-founder of River & Rail Theatre Company as well as a mother, birth doula, and writer. Thank you, Mrs. Dickson, for always lighting the path ahead!
As a sophomore history and theatre double major at UT from Arizona, Emily is excited to be working with River and Rail for the first time. With a background in stage managing both theater and dance productions, they are excited to continue learning and growing in their experience and knowledge.
Druig is a current senior at L&N STEM Academy. He discovered his love for theater tech by running sound for his school's performance of Lucky Stiff, and he would like to thank Scott Baron and River & Rail for giving him the opportunity to discover that passion. He has most recently worked as stage manager for L&N's production of Footloose in February and as stage manager for Knoxville Children's Theater's performance of Little Woman in May. He currently plans to pursue theater after graduation. He is thrilled to be working on his first show with River & Rail and would like to thank Kenneth Herring and Joshua Peterson for this opportunity.
Erica is a Sophomore at the University of Tennessee majoring in Theatre. Previous technical experience includes A Christmas Carol and The Giver at the Clarence Brown Theater and She Kills Monsters at her high school in her hometown of Clarksville, Tennessee.
Emily is an actor, director, movement coach, and producer who trained at Ecole Internationale de Théâtre Jacques Lecoq in Paris (2017-2018). She graduated from SMU Meadows School of the Arts with Founder & Artistic Director Joshua Peterson and Founding member Amelia Peterson. Emily is the co-founder & Artistic Director of the ensemble theatre company Fair Assembly where she has appeared as Juliet in Romeo and Juliet and Lady Macbeth in Macbeth, and will appear as Celia Summer 2023 in As You Like It. She is an affiliated artist with Teatro Dallas, and has worked extensively as a movement director in devised theatre with Cry Havoc Theater Company. Emily has taught at Booker T. Washington High School for the Performing and Visual Arts, Cistercian Preparatory School, and the University of Nebraska-Lincoln. Previous staff positions include Teatro Dallas (Associate Artistic Director), Flatwater Shakespeare Company (Associate Director) and Theatre for a New Audience (Associate to the Artistic/Managing Directors). Before relocating to Knoxville next Spring, Emily and Fair Assembly will host Manifesto Poetico's first Open Laboratory Series in the United States. Other projects include a collaboration with Emily Bernet and Los Escultores del Aire / Physical Theater (Barcelona, Summer 2023), and directing Fiddler on the Roof for the University of North Texas (Spring 2024).
Chris is happy to be returning to River and Rail, having designed The Burn Vote. He has designed numerous Off-Broadway shows including the critically acclaimed End of the World Party at the 47th Street Theatre, and Always…Patsy Cline at the Variety Arts Theatre. Other Off-Broadway shows include the longest running show in Off-Broadway history, Perfect Crime, The Bench, Between Daylight and Booneville, Washington Heights, Savage in Limbo, and Independence by Lee Blessing. Regionally, Chris has designed over 150 shows at theatres across the country. He has designed at the Tony Award winning Utah Shakespearean Festival, the Tony Award winning Children’s Theatre in Minneapolis, Arden Theatre in Philadelphia, Repertory Theatre of St. Louis, Great Lakes Theatre Festival in Cleveland, Shakespeare Festival of St. Louis, City Theatre in Pittsburgh, Virginia Stage Company, Olney Theatre Centre in DC, The Coast Playhouse in Los Angeles; among many others. Chris has been nominated in the Outstanding Scenic Design category twice for the Barrymore Awards in Philadelphia and twice for the Kevin Kline Awards in St. Louis. Chris is retiring in December as the head of the MFA Scenic Design Program at The University of Tennessee.
Scott is beginning his third year as River and Rail’s Technical Director. He graduated from Samford University in 2022 with a B.A. in theatre. Since then he has worked as both the technical director on River and Rail’s productions as well as serving as the technical director for the River and Rail Performing Arts Label. As well as technical direction, he worked as a lighting designer on A Case For The Existence of God, It’s a Wonderful life Radio Play, and Fat Ham. He also provided the scenic design for The Mountaintop. He welcomes you to OCPAC and hopes you enjoy the show.
Skye Reid is a student at the University of Tennessee studying Scenic Design. She is from Chattanooga, but spent the summer in Florida as a Scenic Carpentry and Painting Technician at the theme park Busch Gardens. She has done carpentry work for 8 years now, and drawing and painting her whole life. Our Town is her second show with River N Rail Theater, her first being as a scenic carpenter on The Burn Vote. She has also worked on crew for productions at the Clarence Brown Theater such as The Moors, Anonymous, and soon to be A Christmas Carol later this year.
Magdalen Zinky is a theatre maker, writer, and parent based in Greeneville, TN. Recent theatre credits include costume designer for the world premiere musical “The Burn Vote” (River and Rail), director for world premiere play "Corners" (Greeneville Theatre Guild), solo play "8th Annual Women’s Retreat" (featured in the 2021 59E59 East to Edinburgh Festival), and writer/director/producer for "The Limit of the Tongue" (Daughters Collective NYC). In her spare time she hosts hosts the podcast The 24 Hour Woman and moonlights as a farmer-florist with The Flower Girl TN.
Kenneth Herring grew up in Oak Ridge, TN, just 25 miles from downtown Knoxville. Kenneth holds a BA in Communications for the University of Tennessee at Chattanooga and a Masters in Business Administration from Bethel University. Kenneth has a non-traditional theatre background, having spent the 10 years working in Information Technology sales. Kenneth is a former member of the Hammer Ensemble, which performed at Knoxville's Flying Anvil Theatre. Kenneth is passionate about content creation and creating inclusive environments. Kenneth enjoys basketball and spending time with his son, Rayne.
Afton Howard is River and Rail’s Administrative Assistant, and a student at the University of Tennessee’s College of Music. Afton is currently pursuing a B.M. in Vocal Music Education with a minor in Theatre. She is a Knoxville native and a Central High School alumni (go bobcats!). Her recent performance credits include 9 to 5: The Musical (Ensemble), Les Miserables (Eponine), High School Musical (Ms. Darbus), Radium Girls (Grace), and Beauty and the Beast (Napkin/Wolf/Ensemble). Afton is proud to be working with River and Rail to bring relevant stories to Knoxville in the form of professional theatre.
Harrison Boyd
David Brown
Tyler Hays
Kenneth Herring
Joshua Peterson
Deaver Shattuck
Katy Wolfe
Parker Jenkins
Amber Collins Crane
FOUNDING BOARD EMERITUS
Logan Mahan
Amelia Peterson
Founding Artistic Director — Joshua Peterson
Assoc. Artistic Director, Marketing Director — Emily Ernst
Executive Director — Kenneth Herring
Technical Director — Scott Baron
Administrative Assistant — Afton Howard
Marketing & Operations Intern — Caroline Storch
When you look at the demographics of Knoxville, the people that live on the river and the people that live near the railroad experience Knoxville from vastly different perspectives. Our neighborhoods, churches, community groups, and social circles seem deeply divided along various lines. Some are the literal lines of the Tennessee River or the tracks of the railroad, and some are metaphorical, like the lines between races, religions, and ethnic groups or the cultural lines between east, west, north, and south Knoxville. The goal of River & Rail Theatre is to not just create professional theatre accessible to all Knoxvillians, but to create theatre true to the stories of Knoxville, shared collectively by those on every side of every line.
If you share this vision of Knoxville with us, if you can see it too – a packed house at the Old City Performing Arts Center, full of people who don’t look, smell, hear, see, walk, and talk the same way yet who share in the same deep, beautiful humanity; then we invite you to help us make that happen. Your contributions enable us to pay our staff, artists and team members living, professional wages; they allow us to offer pay-what-you-wish tickets, so that people can attend our performances for as little as three dollars; they cover the cost of professional lighting and sound equipment, costumes and sets, because we want to make work that holds itself to a national professional standard, that pushes the limits of what Knoxville can do. Every dollar is tax-deductible, and every penny makes a difference. Consider making your mark on this city with us.
Interested in supporting the work of River & Rail Theatre Company? Click the button below to make a one-time or recurring donation. We are so grateful for your support!
River & Rail Theatre Company is an IRS-approved 501(c)(3) nonprofit organization.
“This project [is being] [was] supported in whole or in part, by federal award number 21.027 awarded to the City of Knoxville by the U.S. Department of the Treasury and the Arts & Culture Alliance.”